SANDS, Thomas ms ABC | The Village Music Project

%abc
%%abc-alias none
%%abc-creator ABCexplorer 1.5.0 [30/04/2012]
%’Thomas Sands’s Book, March 12th 1810′ Lincolnshire
%added to for a number of years in the same hand,
%plus a handful of tunes added c1840 in two further hands.
%From a private collection
%Transcribed to ABC for www.village-music-project.org.uk
%by Ruairidh Greig October 2011
%revised 30/3/12
%revised 30/4/12

X:002
T:To all good Lasses. TS.002
M:2/4
L:1/8
Q:1/2=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:glee
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
GA|BG cB|AG Bc|dB ed|cB dd|
dd ee|dc cc|cd/e/ dc|cB d>d|
e>e d>F|G2d>d|ee dF|G2:|
|:dd|d4-|d4-|d4-|d4|
d2ee|dB cA|G2de|cAz2|
z2de|cAz2|z2dd|dd ed|
dc cc|c(d/e/) dc|cB d>d|ee dF|
G2d>d|ee dF|G3:|]

X:004
T:God Save the King TS.004
M:3/4
L:1/4
Q:1/4=140
S:Thomas Sands’ MS,1810,Lincolnshire
R:song
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
dde|c>de|ffg|f>ed|ed”tr”c|d2:|
|:aaa|a>gf|ggg|g>fe|fg/f/e/d/|f>ga|(3b/a/g/ f”qu. in ms”e|d2:|

X:008
T:I will gang no more to yon Town TS.008
T:Devil in a Bush,The,aka TS.008
T:England’s Glory,aka TS.008
T:Mayday,aka TS.008
T:Duke of Sussex’s Reel,aka TS.008
T:Mr.Small’s Favourite Reel,aka TS.008
M:2/4
L:1/8
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
eaaec2A2|ceAc dBB2|agaec2A2|ceBd cAA2:|
|:cAeA fAeA|cAeA dBB2|cAeA fAeA|ceBd cAA2:|]

X:014
T:Waltz TS.014
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
C:Prefixed as ‘No.2′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
F/A/|ccf|c2A/c/|BB G/B/|AF F/A/|ccf|c2A/c/|BBG|F2:|
|:d|c/e/g/e/g/e/|c/f/a/f/a/f/|c/g/b/g/b/g/|a2f|”_f”c/e/g/e/g/e/|c/f/a/f/a/f/|(g//a//b//g//) fe|f2:|
|:”_p”e|fAB|c2d|cB/A/B/G/|AFc|fAB|c2f/c/|db/g/f/e/|f2||”repeat added”[e2B2G2]z:|[f2c2F2]|]

X:015
T:Minuet TS.015
M:3/4
L:1/8
Q:3/4=40
S:Thomas Sands’ MS,1810,Lincolnshire
R:minuet
C:Prefixed as ‘No.3′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
D2|G2B2d2|g2(d/e/d/c/) B/c/B/A/|G2(D/E/D/C/) B,/C/B,/A,/|
A,2B,2d2|ecGcec|dBGBdB|c>d c2[B2D2]|[B2D4]A2:|
“_f”DF|A2A2A2|A4(G/F/G/A/)|B2B2B2|B4″_p”d2|
d2B2g2|d2B2g2|d2edcB|BAGFED|
F2B2d2|g2(d/e/d/c/) (B/c/B/A/)|G2D/E/D/C/ B,/C/B,/A,/|
A,2G,2″_p”d2|ecGceg|dBGBdg|f/e/d/c/B2A2|{A}G4|]

X:016
T:Andante TS.016
M:2/4
L:1/8
Q:1/4=80
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:Prefixed as ‘No.4′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Gm
d|{^f/}g{f/}g dd|{c}(Bd/B/) GA|.B.c.d.e|(B2A)”_p”d|
{^f/}g{f/}g dd|{c}(Bd/B/) GA|.B.A.G.^F|(^F2G):|
|:A|[B2D2][c2F2]|[d3F3]”_p”e|dg^fg|”_f”[^f3A3D3]”_p”d|
g(g/a/ b)B|(cc/d/)He2z/e/|dG B/A/G/^F/|”sharp added”(^F2G):|]

X:017
T:Giga TS.017
M:6/8
L:1/8
Q:3/8=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
C:Prefixed as ‘No.5′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
“_p”d2c BGB|d2B GAB|c2AB2G|FGAA3|
“_f”dedg2d|efeg2e|dBGA2B|[B2G2][BG][B2G2]”rest added”z:|
|:g2g gd=f|e2cc3|a2e efg|f2 d def|
g2b def|g2dB2G|cec dBG|A2GG2:|
|:BdG BdG|BdGA2G|BdB ^cde|(d/e/f)dd3|
{ef}”dot added””_f”g3fdB|{cd}e3dBG|(B/c/d)B A/B/cG|B2[BG][B2G2]”rest added”z:|]

X:018
T:Moderato TS.018
M:C
L:1/8
Q:1/4=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:march
C:Prefixed as ‘No.6′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
[c3E3](e/d/) cGEC|e3(g/f/) ecGE|g2e/c/e/g/f2d/B/d/f/|ecge dBAG|
[c3E3]e/d/ cc “tr”c2|[d3G3](f/e/) dd “tr”d2|(3ece (3geg (3c’ge (3fdB|c2c>cc2″rest added”z2:|
|:(d3c/B//A//) .G.G.G.G|(g3f/e//d//) .c.c.c.c|.c’.c'(.c’b) .a.a(ag)|.f.e.d.c .B.A.G.F|
“_f”[c3E3]e/d/ cege|[d3G3]f/e/ dfaf|”tr added”(3ec’g {b}ag/f/e2″tr”d2|cc’gec2z2:|]

X:021
T:Andante TS.021
M:2/4
L:1/8
Q:1/4=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:Prefixed as ‘No.9′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Bb
B>df>g|.f.d.c.B|c>d e/d/e/c/|.B.A.G.F|B>df>d|.b.g.d.B|e>gfA|(A2B)”rest added”z:|
|:”_p”ff”_f”b2|”_p”gg”_f”e2|(f>d)(d>B)|A/B/c/d/ c>e|d/e/f/d/ e/f/g/e/|fdHb/ zg/|(f>d) c>d|B3z:|
|:”_f”B/F/D/F/ B/c/d/B/|c/A/F/A/ c/d/e/c/|d/B/d/f/ e/d/c/B/|A/B/c/d/ cF|”_p”B/F/D/F/ B/c/d/B/|c/A/F/A/ c/d/e/c/|d/=e/f/d/ e/f/g/e/|f3z:|
L:1/16
|:”_p”fdBd fdbd|geBe gebg|fdBd fdbf|edcB BAGF|”_f”EGBe g2g2|DFBd f2f2|gbag fedc|B2d2B2z2:|
|:B2F2D2B2|c2A2F2c2|.B2.d2.e2.d2|.d2.B2.A2 (3GFE|(3DFB (3DFB d2>B2|(3EGc (3EGc e2>c2|(3dfd (3BdB (3cec (3AcA|A4B2z2:|
|:”_p”f2 (3fdf “_f” b2f2|g2 (3geg b2g2|f2 (3fdf b2f2|(e<c)(d<B) “tr”d2c2|B2>d2 c2>e2|d2>f2 e2>g2|fdcB egfe|dgfA {A}B2z2:|]

X:022
T:Minuet TS.022
M:3/4
L:1/8
Q:3/4=40
S:Thomas Sands’ MS,1810,Lincolnshire
R:minuet
C:Prefixed as ‘No.10′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Bb
(3FGA|B2B2B2|B4df|fedcBA|B2B,2″s-q in ms””_p”(BA)|
G2F2B2|E2D2B2|ABcded|d2c2″s-q in ms””_f” de|
f2f2f2|”tr”f^g//a// gfed|e2e2e2|”tr”ef//g// fedc|
dBfdbf|f2 ecAc|[B2D2][B2D2][B2D2]|[B4D4]:|
|:(AB)|c2c2d2|dcBAGF|c2c2d2|e4(Bc)|
d2d2e2|edcBAG|c/d/e/c/B2″tr”A2|G4(F/E/D/E/)|
F2B2B2|B2ABcd|e2e2d2|d2c2″_p”de|
f>gfdbg|f>gfdbg|(f/g/f/e/)d2c2|”tr”c2B2:|]

X:024
T:Allegretto TS.024
M:6/8
L:1/8
Q:3/8=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
C:Prefixed as ‘No.12′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
B|AFG AFG|A3Adc|B2Ag2f|efd cBA|
“_f”AFG AFG|A3 AdA|Bge {d}cBc|d3-d2:|
|:”_p”(f/g/)|a3 afd|ged cBA|Bcd efg|fed cBA|
a3afd|ged cBA|Bge {d}cBc|d3-d2:|
|:”_p”(A//G//F//E//)|DFA DFA|dfaa2 (G//F//E//D//)|
CEA CEA|cegg3|”_f”f/d/d/d/d/d/ g/e/e/e/e/e/|a/f/f/f/f/f/ b2a|
acd g2f|efd cBA|Gbb bge|Faa afd|Bba gfe|
dcB ABG|[F3A,3]EDE|DDD DEF|[G3A,3] FEF|[EA,][EA,][EA,] EFG|
“_p”A3AFd|A3AFd|ABA AGF|[F3A,3]H[E2A,2]B|
AFG AFG|A3Adc|B2Ag2f|efd cBA|
AFG AFG|A3 AdA|Bge {d}cBc|d3-d2:|]

X:026
T:Minuet TS.026
M:3/4
L:1/8
Q:3/4=40
S:Thomas Sands’ MS,1810,Lincolnshire
R:minuet
C:Prefixed as ‘No.14′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
d2A2F2|D2DDDD|f2d2A2|[A2F2][AF][AF][AF][AF]|
“_p”dAdfed|eAegfe|fdfagf|fedcBA|
d2A2F2|D2DDDD|f2d2A2|[A2F2][AF][AF][AF][AF]|
“_p”a2f2d’2|a2f2d’2|abagfe|{e}d6:|
|:”_p”A4B2|c4d2|ede2f2|g4z2|
d4e2|f4g2|aga2b2|a4a2|
bgdB Gb|afdA Fa|gecA Eg|fdAF D2|
GFGABc|dcdefg|(3aba g2f2|f2e2 “_f”(3ABc|
d2A2F2|DFAdfd|e/f/g/e/d2c2|(c4d2):|]

X:027
T:Allegro Moderato TS.027
M:C|
L:1/16
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:Prefixed as ‘No.15′ in MS
N:Bar 15 is problematical
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
C4 E2G2 cccc eeee|gggg c’c’c’c’ g4>e4|(g2>f2) (d2>f2) (f2>e2) (c2>e2)|(e2>d2) (c2>d2) c2B2A2G2|
C2(DE) FGAB cdef gabc’|g2g2a2a2 g4^f4|(3g2d2g2 fedc B4″tr”A4|”rest added”z2″_p”(G2B2d2)z2 (G2c2e2)|
z2(G2B2d2) z2 (G2c2e2)|”_f”de^fg fedcB4″tr”A4|G2>G2 D2>D2 B,2>B,2 D2>D2|G,2G,G, B,2D2 G4z4:|
|:G4 B2>d2 f4 z4|f4 d2>B2 F4z4|EEEE “sic–“//E4 //c4 //c4 //e4 //e4 //g4 //g4|c’4>b4 a4 z4|
a4>g4 f4z4|f2>a2g2>f2 f2>e2d2>c2|g4G2>G2G4z4|{gefg} d4d4d8|
{fede} c4c4 “tr”c8|A2>B2c2A2 G2F2E2D2|”_f”C4E2G2 //c4 //e4|//g4 //c’4 g4>f4|
f2e2d2c2 e2d2c2B2|c2CC E2G2 c2CC E2G2|c4c4c4 z4:|]

X:028
T:Largetto TS.028
M:3/4
L:1/8
Q:3/4=30
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:Prefixed as ‘No.16′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
“_p”G>F|[E4G,4](F>E)|[D4G,4]E>D|C2{B,}A,2D>C|
“_crots in MS”B,A,G,2G>F|[E4 G,4]F>E|[D4G,4]”_F”G>c|A>d [c2E2][B2D2]|[B2D2][c2E2]:|
|:”_p”(e>f)|g4(c’>g)|e2c2e2|f2d2(A>d)|{c}B2{A}G2(e>f)|
“_f”g2e2c’2″bar line added”|{b}g2 fedc|(3def A2B2|[1[B2D2][c2E2]:|
[2[B2D2][c2E2]G2||[F6G,6]|[E6G,6]|[d2F2][c2E2][B2D2]|[B2D2][c2E2]|]

X:029
T:Roslin Castle TS.029
M:C|
L:1/8
Q:1/2=45
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Em
“_Slow”(GF)|E2(Bc)”tr”B2AB|{AB}cBAG{G}”tr”F2GF|E2efg2fe|^def^d”tr”B2(AB)|
{AB}cBAG”tr”F2(GA)|BGFE e^def|a/g/f/e/ g/f/e/d/ eB (d/c/)(B/A/)|G2F2E2:|
B2|eBef {ef}g2fe|b2agf2e^d|eBef”tr”g2fe|ba (g/b/a/g/)Hf3(AB)|
{AB}cBAG”tr”F2(GA)|BGFE e^def|(a/g/f/e/) (g/f/e/d/) eB (d/c/B/A/)|G2F2″tr”E4|]

X:030
T:Plato’s Advice TS.030
M:C|
L:1/8
Q:1/2=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
“_Slow”(GA)|”tr”B2AG “as written”d2cB|{ef}g2=feHd2e|edcB{d}”tr”c2>B2|
A2dcc2B2|A2AdHd2^c2|defgHa2g|fed=cB2G2|F2A2d4:|
|:d|(d/e/=f) ed{d}”tr”c2>B2|(c/B/A) (dc)”tr”B2>B|~e2>d2 “tr”c2>B2|(A/e/d) (c/B/A/G/) {G}”tr”F2>e2|
d2>F2HG2>e2|dcBAB2 (e/f/g)|fedcHd2(d/e/f)|edcB {d}”tr”c2>B2|
AGFE HD2d/e/f|”tr”g3c2BAB d/c/B/A/|G2A2G4:|]

X:031
T:Bower Waltz, The. TS.031
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A|d2f|d2f|(ged)|(cBA)|d2f|d2f|eac|d2:|#
|:A|e2f|(agf)|fed|ceA|e2f|(agf)|eac|d2:|
|:A|(Ag).g|(gf).f|(fe).e|e2a|(fda)|(fda)|gec|d2:|]

X:032
T:Life let us Cherish TS.032
M:6/8
L:1/8
Q:3/8=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
{c}”tr”B3″as written” (c/B/c)|d2g{a}g3z|HG3(AGA)|(BcB)”tr”A2z|
{c}”tr”B3 (c/B/c)|d2g{a}g3z|{c}B3(A/G/A)|G3:|
|:d2|d2BABc|d2BG2d|d2B ABc|d2BG2d|
e2cg2g|d2Bg2-g|ded dcB|{c}”tr”B3 {B}”tr”A3|
{c}”tr”B3(cB) .c|d2gg2z|HG3(AGA)|(BcB){B}”tr”A2z|
{c}B3(cBc)|d2g {a}”tr”g3z|{c}”tr”B2 AGA|G3|]

X:035
T:I’ll be Marri’d on Tuesday TS.035
T:Greensleeves?aka TS.035
M:6/8
L:1/8
Q:3/8=110
S:Thomas Sands’ MS,1810,Lincolnshire
C:Prefixed as ‘No.23′ in MS
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Gm
G2AB2G|A3F3|G2G[G2g2]a|f3d3|f2f fed|cBAF2F|G2AB2G|A3G3:|
|:g2dg2d|B3G3|g2dg2a|f3d3|f2f fed|cBAF2F|G2AB2G|A3G3:|]

X:040
T:Wood’s Hornpipe TS.040
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
C:Prefixed as ‘No.28′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
(E/F/G)|A2AAA2(cd)|ecea ecBA|(fe)(dc) (dc)(BA)|GABcB2E2|
A2AA”tr”A2cd|ecea ecBA|fedc dcBA|E2G2{B}”tr”A4:|
|:(cd)|ecea ecea|fdfa fdfa|fedc dcBA|GABc”tr”B2cd|
ecea ecea|fdfa fdfa|fedc dcBA|E2G2″tr”A4:|]

X:041
T:Minuet TS.041
M:3/4
L:1/8
Q:3/4=40
S:Thomas Sands’ MS,1810,Lincolnshire
R:minuet
C:Prefixed as ‘No.29′ in MS
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
g2(3bag (3fed|d2″tr”c2B2|g2(3bag (3fed|d2″tr”c2B2|
GDADBA|B2″tr”c2d2|GDADBD|B2″tr”c2d2|
(3def (3gfe (3dcB|{B}A6::(bg)(fe)(fg)|(af)(ed)(^cd)|
(ef)(gf)(ed)|{d}^c2(Bc)A2|aAgAfA|eAfAgA|
aAgAfA|eAfAgA|aA(B^c)(de)|fdgdad|
(3bag f2″tr”e2|d4z2|g2 (3bag (3fed|d2″tr”c2B2|
g2(3bag (3fed|d2″tr”c2B2|GDADBD|GBdgbg|
GDADBD|GBdgbg|(f/e/d/c/)B2″tr”A2|G6:|]

X:043
T:New so Bell TS.043
M:C|
L:1/8
Q:1/2=75
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
[V:1]|:c4e3f|efedc2ef|g2g2c2d2|e8:|
[V:2]|:z8|z8|z8|z8:|
[V:1]|:z8|z8|z8|z8|
[V:2]|:A,2E,2F,2C,2|D,E,D,C,B,,2C,2|D,C,D,B,,E,2E,,2|A,,8|
[V:1]”sic”g2|agfg gfeg|fedf edce|g2g2g2ag|f2efg4|
[V:2]z2|z8|z8|z8|z8|
[V:1]z8|c2cde2c2|z8|d2def2d2|
[V:2]A,,2A,,B,,C,2A,,2|z8|B,,2B,,C,D,2B,,2|z8|
[V:1]z8|c2cde2c2|f2d2g2B2|c8|
[V:2]A,,2A,,B,,C,2A,,2|z8|D,2B,,2E,2E,,2|C,8|
[V:1]g2ggg4|z8|a2aaa4|z8|
[V:2]z8|A,,2A,,B,,C,2A,,2|z8|B,,2B,,C,D,2B,,2|
[V:1]g2ggg4|z8|f2d2g2B2|c8:|
[V:2]z8|A,,2A,,B,,C,2A,,2|D,2B,,2E,2E,,2|[A,,8C,8]:|

X:045
T:Russian Dance,The TS.045
T:Opera Hat,aka TS.045
M:2/4
L:1/8
Q:1/2=80
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
DG|B2DG|B2DG|cdBc|A2DF|A2DF|A2DF|Bc AB|G2:|
|:dc|B2BA|G2gf|e2e2|e2cB|A2AG|FA dF|GFGF|G3:|

X:047
T:Princess Royal TS.047
M:4/4
L:1/8
Q:1/2=80
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Gm
“^as written”
dcB2ABG2|dcB2ABG2|d2e2dec2|fed2cdB2|
dc BdcB A/c/B/A/|GBAG ^F2D2|d3c BG A^F|D2^F2G4:|
|:d2|gfga gfga|b2B2B2ba|gfed edcB|A2^F2F2B2|BBc2ccd2|
d2g2fBe2|dGc2B3A|GBAG^F2D2|d3c BABG|D2^F2G2:|]
zzzz||
“^Version edited by Chris Partington”
dc|B2AB G2dc|B2AB G2d2|e2dec2fe|d2cd B2dc |
BdcB AcBA|GBAG ^F2D2|[M:3/2] d3c BGA^F D2^F2|[M:4/4]G4-G2:|
|:d2|gfga gfga|b2B2B2ba|gfed edcB|A2^F2F4|B2BBc2cc|
d2d2g4|f2B2e4|d2G2c4|[M:3/2]B3A GBAG^F2D2|d3c BABG D2^F2|[M:4/4]G4-G2:|

X:052
T:Persian Dance,The TS.052
T:Galopede,aka TS.052
M:2/4
L:1/16
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
dc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bd|A2A2A2 dc|
B2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2||
dc|B2gf e2ed|(dcBc) A2 dc|B2gf edcB|A2A2A2 dc|
B2gf e2ed|(dcBc) A2 dc|BdcB AcBA|G2G2G2||
Bc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|
d2d2d2g2|d2d2d2g2|d2Bc dcBA|G2G2G2|]

X:053
T:Morgiana in Ireland TS.053
M:6/8
L:1/8
Q:3/8=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
D2DG2G|AGAB3|D2DG2G| AGA BGE|
D2DG2G|AGAB2d|edc BAG|AGA BGE||
d2d dcB|e2fg3|ded dcB|e2fg3|
d2d dcB|e2e efg|dec BcA|G2A BGE||
GAG Bdz|ABA cez|GAGG2A|B2c BGE|
GAG Bdz|cez Bdz|egz Bdz”bar line added”|G2A BGE|]

X:055
T:Waltz TS.055
M:6/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
(F/G/)|AABc2f|ccB {B}”tr”A2 F/G/|AAB c2f|bge”tr”f2:|
|:bbg aaf|dgf edc|bbg aaf|dge”tr”f3:|
|:(A/B/)|ccdc2A|BBG”tr”A2 (A/B/)|ccdc2A|BGEF3:|]

X:058
T:Honest Yorkshireman’s Hornpipe,The. TS.058
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
%%begintext
K:C
An Honest Yorkshireman
by Henry Carey (Died 1748)
I is i’ truth a coontry youth,
Nean used to Lunnon fashions;
Yet vartue guides, an’ still presides
Ower all my steps an’ passions.
Nea coortly leer, bud all sincere,
Nea bribe shall iver blinnd me ;
If thoo can like a Yorkshire tike,
A rogue thoo’ll niver finnd me.
Thof envy’s tongue, so slimly hung,
Would lee aboot oor coonty,
Nea men o’ t’ earth boast greater worth,
Or mair extend their boonty.
Oor northern breeze wi’ us agrees,
An’ does for wark weel fit us ;
I’ public cares, an’ love affairs,
Wi’ honour We acquit us.
Sea great a maand is ne’er confaand
‘Tiv onny shire or nation,
They gie un meast praise whea weel displays
A larned eddication;
Whaal rancour rolls i’ laatle souls,
By shallow views dissarnin’,
They’re nobbut wise at awlus prize
Good manners, sense, an’ larnin’.
%%endtext
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
cd|ecac ecac|fedc B2cd|ecBA fdBA|GABGE2cd|
eceg fdfa|gegba2gf|eafd ceGB|”qu. in ms”A2A2A2:|
|:GA|BEdE BEdE|cEeE cEeE|fgaf gabd|c3B3 GA|
BEdE BEdE|cEeE cEeE|fadf ceGB|A4:|

X:059
T:Waltz TS.059
M:3/8
L:1/16
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
d2d2g2|efgfge|d4B2|cBcdec|BABcdB|ABcAGF|G4:|
|:GA|B2B2B2|BABGAB|cdedcB|(BA) (GD) (GA)|B2B2B2|BABGAB|cd ec AF|G4:|]

X:075
T:My Lady TS.075
M:2/4
L:1/8
Q:1/4=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:quick step
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
G|c2ce|d2df|eg g/f/e/d/|c/B/c/d/ cG|c2ce|d2df|eg g/f/e/d/|c2z:|
|:z|zgeg|zafa|zfdf|zgeg|zc’ge|eg g/f/e/d/|c2z:|
|:z|G2EF|G2Ge|f2fd|e2ec|cB Bd|c2g2|agfe|d2z:|
|:z|f4|e4|ff fd|ee ec|aa af|gc’ af|ed/c/ dc/B/|c2″rest added”z:|]

X:076
T:Henry’s Cottage Maid TS.076
M:6/8
L:1/8
Q:3/8=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:song
C:Pleyel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
B3BcB|d3B2B|B3BcA|G3D3|
e2f gfe|d3B2G|A2B cBd|B3A3|
B3BcA|d3B2B|B3BcA|G3D3|
e2f gfe|d3B2G|A2B cBA|G3G2d|
A2B cBA|B3d2B|A2B cBA|G3G2d|
A2B cBA|B3dBG|FAd GFE|D3D2z|
B3BcA|d3B2B|B3BcA|G3D3|
e2f gfe|d3B2G|A2B cBA|G3G2″sy”g|
f2g agf|g2bg2b|f2g agf|g2bg2b|gBA GGG|G3 G2|]

X:077
T:Deep Nine,The TS.077
M:C
L:1/8
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:song
C:Dibdin
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
GA|B2B2A2cA|G2F2G2>D2|GABcd2>d2|efge d2>d2|
g3f e3d|^cBAG F2 zA|d2d2Befg|d2^c2d2zd|
g3gf3f|e3e {e}d3d|d<Be2c<Ad2|B2^c2Hd2z|
F3G A2HG2|B2B HcHBz B|(Ae)(dc) (cB)(dB)|
(Ae)(de) (cB)(dB)|(cB)(AB) (cB)(cd)|(ed)(ef)Hg2{A}|B3c”tr”A4|G4|]

X:084
T:Prize,The TS.084
M:2/4
L:1/8
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:.country dance
O:England;Lincolnshire
C:Stephen Storace
Z:vmp.Ruairidh Greig, 2011
K:F
C|FF {B}AG/F/|cA Af|{g}fe/f/ {g}fe/f/|cAAC|
FF {B}AG/F/|cAAf|{g}fe/f/ c/d/c/B/|AFF:|
|:(3c/d/e/|(3fef Ff|(3gfg Gg|(3fef (3gfg|af fc|
(3fef Ff|(3gfg Gg|f/g/a/f/ c/d/c/B/|AFF:|]

X:091
T:New Floating Battery TS.091
M:C|
L:1/8
Q:1/2=88
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
A|(AB)(cd) e2(cA)|(fg)af {f}”tr”e2 dc|defd cdec|Aca(c{c}B3)A|
(AB)(cd)e2 (dc)|fga(A {A}G2) (FE)|dfdB cecA|E2[A2C2][A3C3]:|
|:a|(ag)”tr”fe fedc|defa AGFE|Ac”tr”BA Bd”tr”cB|ceac{c}”tr”B3a|
(ag)”tr”(fe) “tr”(fe)(dc)|(dF)”tr”(BA) (AG)(FE)|ABcd ecac|E2[A2C2][A3C3]:|]

X:095
T:Lady Caroline Lees Waltz TS.095
T:Hanoverian Waltz TS.095
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A/G/|FGA|Bcd|EFG|{G}F2d/e/|fed|dfa|ABc|d2:|
|:a|gee|cAA|a/f/dd|dfa|gee|cAA|d/c/d/f/e/c/|d2:|
A|AFA|dcd|B^AB|G2E|F>GA|AGF|{F/}EDE|F2A|
AFA|dcd|B^AB|G2E|F>GA|AGF|{F/}EDE|D2|]

X:096
T:Lady Hamilton’s New Waltz TS.096
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
D|G/F/G/A/B/c/|.d(dB)|.e(ec)|.d(dB)|G/F/G/A/B/c/|.d(dB)|A/B/c/A/G/F/|G2:|
|:B|(Ad).d|(BG).G|(Ad).d|B2B|(Ad).d|(BG).G|A/B/c/A/G/F/|G2:|
|:d|(d/e/)cc|(c/d/)BB|(B/c/)AA|A2d|(d/e/)cc|(c/d/)BB|A/B/c/A/G/F/|G2:|]

X:097
T:Waltz TS.097
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Bb
F|d2c|BBd|(c/e/)(c/A/)(B/d/)|F2d|f2e|d2f|g/e/d/c/B/A/|B2:|
|:F|BB/c/d/e/|fdf|gg/a/b/g/|fdf|ece|dB/d/e/d/|c/d/e/c/B/A/|B2:|
|:d|e/c/A/c/e/c/|d/B/F/B/d/B/|e/c/A/c/e/c/|.f.f (d/f/)|e/c/A/c/e/c/|d/B/F/B/d/B/|c/A/F/A/c/A/|B2:|

X:099
T:Hornpipe TS.099
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
“s-q in ms”AG|GFED A,DFD|A,DFD A,DFD|GFED A,DFD|AGFG EBAG|
GFED A,DFD|A,DFD A,DFD|GFED A,DAG|F2D2D2:|
|:A|dcdA FDFA|BABc dcBA|Bdce dfeg|fdge dcBA|
dcdA FDFA|BABc dcBA|Bdce dfeg|fedc {e}d2″cr.in ms”d:|]

X:100
T:Lord Nelson’s Waltz TS.100
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
G,|CCC|B,C/B,/A,/G,/|CCC|B,C/B,/A,/G,/|CEG|ceg|fdB|c2:|
|:c|e2g|g2e|aaf|gge|ceg|g2aq|fdB|c2:|
K:F
c|cAB|cde|fed|c2A|BdB|AcA|BGB|A2A/B/||
cAB|cde|fed|cBA|Bgg|Aff|bge|f2|]

X:103
T:Colibri TS.103
M:2/4
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
cffg|a2gf|a2gf|egg2|cffg|a2gf|dfeg|f2f2:|
|:fgfA|cAAc|BG B/A/G/F/|EGG2|fg/f/ ed|cAAc|BGFE|F2F2:|]

X:106
T:2nd A TS.106
M:3/8
L:1/8
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
c|BcA|G2g|fge|d2c|BcA|G2g|fge|d2:|
|:f/g/|add|bdd|c’2b|a2g|fge|d2b|agf|g2:|
|:B/c/|dcB|gfe|edd|d2B|caa|a2c|Bgg|
g2B/c/|dcB|gfe|edd|d2B|ccc|A2F|GGG|G2:|]

X:107
T:3rd A TS.107
M:C
L:1/8
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
A/B/|c>dcA c>dcA|A<cf>A {A/}G2 GA/B/|c>dcA cdfa|f<dc>A {A}F2F:|
B|A<cf<a f<afc|d<fc>A G2GB|A<cfc f>af>c|d<fc>AF2F c/B/|
A<cfa A<cfa|c2f/g/a fG GA/B/|c<dcd f>g {f/g/}a>f|f>dcA F2F|]

X:109
T:Old Thro’ the Wood Laddy TS.109
M:3/4
L:1/8
Q:3/4=30
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
N:Scottish slow air 18th C. or earlier
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
F>C|D2D>E F>G|{B}A4f>c|d>e f>d c>A|{A}G4F>G|
A2A>B A>G|A>G F>E F>G|A>G A>B A>G|A>G F>E F>C|
D2D>E F>G|{B}A4 f>c|(a/g/f/e/) (f/e/d/c/) (d/c/B/A/)|{A}G4B>c|
d>e f>d c>A|B>c (dc/B/) AG|A2 D>F E>G|{G}F4:|
|:f>c| d2d>e f>g|a4f>g|a2 bagf|{a}g4 f>g|
a2 a>b a>g|a>g f>e f>g|a>g a>b a>g|a>g f>e f>c|
d2d>e f>g|{b}”tr”a4 f>g|(a/g/f/e/) (f/e/d/c/) (d/c/B/A/)|{A}”tr”G4 B>c|
d>e f>d c>A|B>c (dc/B/) A>G|A2 D>F E>G|”tr”F4:|]

X:127
T:Muses,The TS.127
M:6/8
L:1/8
Q:3/8=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A/G/|FAd FAd|{c/}BAB e2d|{d/}cBc ABc|{d/}dcdf2(A/G/)|
FAd FAd|{c/}BAB e2d|{d/}cBc ABc|d3d2||
a|f2ae2a|{e/}dcd c2a|f2ae2a|{a/}(gfg)a2a|
f2ae2a|{e/}dcd c2a|f2ae2a|{a/}(^gfg)”Da Capo”a2||
F|”minore”B^AB {c/}B^AB|efg g2f|egf edc|B2cF2^A|
{d}B^AB BAB|efg f2f|cgf edc|BFd”Da Capo”B2|]

X:128
T:Sweet Susan of the Garrett TS.128
M:C
L:1/8
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
g3d BGAB|cBAG FDEF|GABc dBed|cBAG FABc|
dBgd BGAB|cBAG FDEF|GABc dBec|BAGFG2z2||
cBAG FGAc|BABc dBcd|edcB cBAG|FGAF DEFD|
GDGB AFAc|BGBd cGce|dgfg fedc|BdFAG2z2|]

X:137
T:Waistcoat Pocket Hornpipe,The TS.137
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Bb
“s-q in ms”BA|BFDE FAce|dfdB A2GF|EGcB AcdB|Cced dcBA|
BFDE FAce|dfdB A2GF|”tr”E3g fdcB|F2A2B2:|
|:”q in ms”g2|fgab fdcB|egec {B}A2GF|EGcB AcdB|Ccedc2 (fg/a/)|
bfdB Fafd|Egec {B}A2 GF|”tr”E3g fdcB|FBAcB2:|]

X:139
T:Opera Hat,The TS.139
M:6/8
L:1/8
Q:3/8=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
c|f2f fga|c2cc2c|d2fe2g|f2a gec|
f2f fga|c2cc2c|d2fe2g|f3f2:|
a|g2g gab|a2gf2a|g2g gab|a3f2z|
“2 crotchets in MS”g2g gab|a2gf2a|{a}g2f{f}e2d|{d}c2B{B}A2G|
A3{c}BAB|c2cc2c|d2fe2g|f2ag2b|
A3BAB|c2cc2c|d2fe2g|f3f2|]

X:140
T:Monzani TS.140
T:Morgiano TS.140
T:Morgiana,aka TS.140
M:6/8
L:1/8
Q:3/8=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
N:Also in the Gibbons MS as “Morgiana”
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
c|cAc {fg}a2g|fed c2d|cAc fcf|agf fed|
cAc fag|fedc2d|cAc fcf|agef2:|
|:(e/f/)|gag fed|ccc b2c|acc fcc|aggg2 e/f/|
gag fed|cdcb2g|a2f fef|gfe dcB|
AFGA2c|AFGA2c|B2dA2c|G3GcB|
AFGA2c|AFGA2c|d2fe2g|fca f2|]

X:150
T:Tank,The TS.150
M:2/4
L:1/8
Q:1/2=70
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
N:Simplified notation of TS.126
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Bb
B2b2|G2g2|c2f>e|d>cB2|defd|efge|f2a2|”bar line and rest added”b2z2:|
|:d2d2|f2d2|(ge)(ec)|(cA)(AF)|d2d2|f2d2|gecA|B4:|]

X:160
T:Copenhagen TS.160
M:3/8
L:1/16
Q:3/8=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
f<a|g<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d<f A2 f<a|
g<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d4:|
|:f<d|c<e A2 c<e|d<f A2 f<d|c<e A2 c<e|d4f<a|
g<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d4:|
L:1/8
|:a|baf|dfa|baf|e2a|baf|dfa|e/d/e/f/g/e/|d2:|]

X:166
T:Sicilian Dance,The TS.166
M:6/8
L:1/8
Q:3/8=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
C|F>GF AGF|c2cc2B|Afa c2B|A2GF2C|
F>GF AGF|c2cc2f|efe dc=B|c3c2:|
c|gec a2b|g2fe2f|gecb2a|gfef3|
dbb caa|Bggf2F|AGF c2C|F3F2||
(c/B/)|A3 GFG|F2F FAc|c3BAB|A2AA2f|
f2ee2d|d2cc2B|ABc cBA|A3G3||
f2ffdB|c2cceg|b3bge|f2ff2c|
f2ed2c|d2cB2A|GAB c2C|F3F2|]

X:170
T:Sweet Jessy TS.170
T:Jessie, The Flower of Dunblane,aka TS.170
M:6/8
L:1/8
Q:1/2=35
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
N:Poem by Tannahill set to music c.1820
C:R.A.Smith
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
(c/d/)|e> f e d g> e|c> B c d B (c/A/)|G> A F E> G c|c> d e (f<d) (c/d/)|
e> f e d g> e|c> B c d B (c/A/)|G> A F E< G (c/e/)|d A “tr”B c2 e|
e c> d e< a e|e c> d e< c e|d B> c d< g e|d> B A HG2 G|
c> e d> e c> d|e> f g f d e |f> g a f< e c|d> A “tr”B Hc2 c/ {BdcBc} A/|
G> A F E< G (c/d/)|e> f g f< d e|f> g Ha g< e c|d> A B c2|]

X:175
T:Sweet Jessy TS.175
T:Jessie, The Flower of Dunblane,aka TS.175
M:6/8
L:1/8
Q:1/2=35
S:Thomas Sands’ MS,1810,Lincolnshire
R:Air
C:R.A.Smith (attributed)
N:Another setting of TS.170
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
(d/e/)|f>gf e<ae|d>cd ec(d/B/)|A>BG FAd|d>ef {f}e2(d/e/)|
f>gf e<af|d>cd ec(d/B/)|A>BG FAd|e>Bcd2:|
|:f|f>de f>ba|f>de f<de|e>cd e>af|e>cB {B}A2(A/B/)|
d>fe (fde)|f>af g<ef|(g>ab) afd|e>Bcd2{dc}{ec}{dB}|
A>BG F<A (de)|f>af g>ef|(gab) afd|e>Bcd2″rpt.sign added”:|]

X:176
T:Rule Brittannia TS.176
M:C|
L:1/8
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:Air
C:Thomas Arne 1740
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A|d2d2 d/e/f/g/ ad|e>f (e/f/g/a/){g}^f3A|d/c/d/e/ f/e/f/g/ aefc|d>fed c3z|
zA ec ag/f/ e/d/c/B/|A2B2A2::A|d2dA BGz B|gfed c2ze|
a2g2(f/d/)(g/e/) ad|A2{f/}e2d2z|f3eg3f|(gf)(ed)c3e|a2g2(f/d/)(g/e/) ad|A2e2d2:|]

X:177
T:Old Towler TS.177
M:6/8
L:1/8
Q:3/8=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:Air
O:England;Lincolnshire
C:William Shield
Z:vmp.Ruairidh Greig, 2011
K:D
A|d2dB2G|F2GA2c|B2d ceg|f3e2A|
d2df2d|Bcde2{d}F|E2FG2F|EA,A,A,2A,|
A,DD DFF|FDDD2D|DFF FAA|AFF F2A,|
A,DD DFF|FAA FAd|dff faa|^g3zg2|
aeg fed|Bgf edc|d3c3|d’af dfa|
d’/a/f/ d/f/a/ d’/a/f/ d/f/a/|d’/a/f/ d/f/a/ d’/f/a/ d/f/a/|d’d’d’ d’d’d’|d’6|
|:”Song”A|d2d B2G|F2GA2c|B2d ceg|f3e2A|
d2df2d|BNcd e2d|cdc BAB|A3z2z:|
A|e2cA2A|f2dA2d|c2eg2f|f3e2A|
A^GA Bcd|efg afd|B2e cAc|d3zDF|
A3A3|ABc dcB|AFA AFA|Add dAc|
e3e3|efg agf|ece ece|e2gz a|
fdd dcd|ecAA2a|fdd dcd|ecA ABc|
dff dfd|d3d3|dff dff|f2Ha3 F|
D2GF2B|A2gf2d|B2e cBc|d3g3|
fgf edc|a3g3|f>gf edc|dAFD2:|]

X:178
T:Brighton Camp TS.178
T:Girl I left behind me,The TS.178
M:C
L:1/8
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
e|”as writ”d>B B>A B>GE3|({DEF}G)G G/A/ B/c/ d2B>d|d>B B>A B>G E>G|FA (D/E/F/D/)G2G:|
A|Bdef gdBG|Bdef g2 fa|gfge dB BG|FA (D/E/F/D/)G2G:|]

X:182
T:Miss Adams Hornpipe TS.182
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
“s-q in ms”(dc)|BGBd BGBd|gfge dBAG|(ec)(dB) cABG|F2A2A2″s-q in ms”(ed)|
BGBd BGBd|gfge dBAG|ecdB cABG|D2G2G2||
dc|Bgfg Bgfg|Baba gfed|caga caga|cgag fedc|
BgdB AecA|BdBG fafd|gfge dcBA|B2G2G2|]

X:185
T:Tail Toddle TS.185
M:C
L:1/8
Q:1/2=80
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
G/G/G BGc2GE|G/G/G BG A2FD|G/G/G BG cABG|A/B/c B/c/d A2FD||
c2GE EcGE|c2GE DAFD|c2GE d/c/B/A/ BG|A/B/c B/c/dA2FD||
G/G/G BG cABE|G/G/G BG ADFD|G/G/G BG cABG|A/B/c B/c/d c2AF||
c2Ec EcGE|c2Ec DAFD|c2 Ec d/c/B/A/ BG|A/B/c B/c/dA2 FD:|]

X:186
T:John Anderson my Jo TS.186
M:2/4
L:1/8
Q:1/2=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:Em
D|B,EEF|G2GA|EDD>E|D3E/D/|B,EEF|GFGA|BAGA|B3||
c|BAGA|BcdB|AGFG|A2GA|BGAF|GEFB|B,EE^D|”dot added”E3:|
|:d|Beef|g2ga|fdde|d2ed|Beef|g2fe|fdBB|B3d/c/|
BGdG|gGdG|DEFG|A2GA|BGAF|GEFB|B,EE^D|”rep.added”E3:|]

X:192
T:Fairy Dance, The TS.192
M:2/4
L:1/8
Q:1/2=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
f2fd|f2fd|f2fd|cAec|f2f[da]|gfed|cABc|d2d2:|
|:a2af| b2ba|g2{f}ge|a2ag|f2fd|B2ge|c[Ad][eB]c|d2d2:|
w:B part has 1st written over it
|:a2af|b2b2|gf ge|a2a2|f2fa|gfed|c[Ad][Be]c|d2d2:|]
w:C part has 2nd written over it

X:195
T:Speed the Plough TS.195
M:C
L:1/8
Q:1/2=70
S:Thomas Sands’ MS,1810,Lincolnshire
R:country dance
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
A>AA>c e>fe>c|e>ae>c e>fe>c|d>ed>B c>ec>A|FB{c}BA GBB2|
A>AA>c e>fe>c|e>ae>c e>fe>c|d>ec>d B>cA>B|F>AG>B A>AA2|]
a>aa>A a>Ae>A|aq>Ag>A f>Ae>A|d>dd>B c>cc>A|B>FB>A G>B B>e|
(c//B/<A) e>A a>Ae>A|f>dB>f e>cA>e|d>ec>d B>cA>B|F>AG>B A>AA2|]

X:199
T:Golden days of good Queen Bess, The TS.199
M:C
L:1/8
Q:1/4=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:Song
C:Words by William Collins 1721- 1759
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
e/ d/|c2B> eA2A c|B A G A B> c d
w:To my muse give att-en-tion and deem it not a mys-ter-y,
e/ d/|c2B c A A A B c B A B c d e>
w:If we jum-ble to get her, mus-ic, po-et-ry and his-to-ry
c|e2e> e de f> f|d2 d> d c>d e
w:The times to dis-pl-ay in the days of Queen B-ess, Sir,
d|c2c> c d d z c|B c d B (cd)e2
w:Whose name and whose mem’-ry pos-ter-it-y may bl-ess, Sir.
A2B/ c A G> G|FG AF E4|
w:O the gol-den days of g-ood Qu-een Bess
d> e f d c> d e c|(BA) (Bc) A2|]
w:Merr-y be the mem-or-y of g-ood Qu-een Bess.
W:%
W:Then we laugh’d at the bugbears of Dons and armadas,
W:With their gunpowder puffs, and their blust’ring bravadoes;
W:For we knew how to manage both the musket, and the bow, Sir,
W:And could bring down a Spaniard, just as easy as a crow, Sir.
W:O the golden days of good Queen Bess,
W:%
W:Then our streets were unpav’d, and our houses were thatch’d Sir
W:Our windows were lattic’d, and our doors only latch’d Sir;
W:Yet so few were the folks that would plunder and rob Sir,
W:That the hangman was starving for want of a job, Sir
W:O the golden days &c
W:%
W:Then ladies with large ruffs, tied round about the neck fast
W:Would gobble up a pound of beef steak for their breakfast,
W:While a close quill’d up coif their noddles did fit, Sir,
W:And they truss’d up as tight, as a rabbit for the spit, Sir.
W:O the golden days &c.
W:%
W:Their jerkins and doublets, and yellow worsted hose, Sir
W:With a huge pair of whiskers, was the dress of our beaux, Sir
W:Strong beer they preferred to claret or hock, Sir.
W:And no poultry they priz’d, like the wing of an ox, Sir
W:O the golden days &c
W:%
W:Good neighbourhood then was as plenty too as beef, Sir
W:And the poor from the rich ne’er wanted relief, Sir;
W:While merry went the mill clack the shuttle and the plough, Sir
W:Anmd honest men could live by the sweat of their brow, Sir.
W:O the golden days &c
W:%
W:Then football & wrestling, & pitching the bar Sir
W:Were preferr’d to a flute, to a fiddle, or guitar, Sir:
W:And for jaunting and junketting, the fav’rite regale Sir,
W:Was a walk as far as Chelsea, to demolish buns, and ale, Sir.
W:O the golden days &c
W:%
W:When the folks, ev’ry Sunday, went twice at least to church, Sir
W:And never left the parson or his sermon in the lurch, Sir,
W:For they judg’d that the Sabbath was for people to be good in, Sir,
W:And they thought it Sabbath breaking, if they din’d without a pudding Sir.
W:O the golden days &c
W:%
W:The our great men were good, and our good men were great, Sir
W:And the props of the nation were the pillars of the state, Sir
W:For the Sov’reign and subject one interest supported
W:And our powerful alliance by all powers then was courted, Sir
W:O the golden days &c
W:%
W:Then the high and mighty states, to their everlasting stain, Sir,
W:By Britons were releas’d from the galling yoke of Spain, Sir.
W:And the rous’d British lion all Europe then combin’d, Sir
W:Undismay’d, would have scatter’d them, like chaff before the wind Sir
W:O the golden days &c
W:%
W:Thus they ate, and they drank, & they work’d & they play’d, Sir,
W:Of their friends not asham’d, or their enemies afraid Sir,
W:And little did they think, when this ground they stood on, Sir
W:To be drawn from the life, now they’re all dead and gone Sir.
W:O the goldendays &c.

X:200
T:Sailors Allegory, The TS.200
M:C|
L:1/8
Q:1/4=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:Song
C:George Saville Carey 1743-1807
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A2B c|d2d2(dc) (BA)|d2d2F2F2|G2(FG)A2A2|D4
w:Life’s like a ship in con—stant mo-tion, Some-times high a-nd some-times low.
A2B c|d2d2 (ed) (cB)|(cd)e2c2c2|d2(cd)e2E2A4
w:Where ev’-ry-one must br-ave th-e o–cean, What-so-ev–er winds may blow.
A2d c |B2A2G2F2″bar line added”| GA/B/ A2B2 c2|d2 e2 (fd) (af)|{f}He4
w:If un-ass-ail’d by squall or show—er, waft-ed by the gen—tle gales
(ge) (fd){d}|c2 (BA) (ge) (fd)|{d}c4 A2 (Bc)|d2f2e2a2|d4|]
w:Le-t’s n-ot lose th-e f-av’ r-ing hour, Whilst s-uc-cess at-tend our sails.
W:%
W:But if wayward winds should bluster
W:Let us not give way to fear
W:But let us all our patience muster
W:And learn from reason how to steer
W:Let judgement keep you ever steady
W:That’s a ballast seldom fails
W:If dangers rise, be ever ready.
W:To manage well the swelling sails.
W:%
W:%
W:Trust not too much to your own opinion
W:Whilst your vessel’s under way
W:Let good example bear dominion
W:That’s a compass will not stray
W:When thundering tempests make you shudder
W:Or Boreas o’er the surface rails
W:Let good discretion guide the rudder
W:And providence attend the sails
W:%
W:%
W:Then when you’re safe from danger riding
W:In some welcome port or bay
W:Hope be the anchor you confide in,
W:And care awhile in slumbers lay:
W:Then when each can’s with liquor flowing
W:And good fellowship prevails
W:Let each heart with rapture glowing
W:Drink success unto our sails

X:202
T:Hunting Chorus, The TS.202
T:Huntsman’s Chorus,aka TS.202
M:2/4
L:1/8
Q:1/4=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:Song
C:Weber
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
“Molto Vivace”A,|D2D/E/[F/D/][G/E/]|[A2F2][FD][FD]|[CE]A[CE]A|F/G/F/E/ DA,|
“crotchet added”D2D/D/[F/D/][G/E/]|[A2F2][FD][FD]|[F/C2]E/D/E/ [FC][EC]|[D3A,3]||
A|[d2A2]([d/A]A/) ([d/A]e/)|[f2A2][dA] [dA]|[e2c2][ec] [ec]|([fd][ec]) [dd] [AA]|
w:The mist th-at a-t mid-night en-vel-op’d the moun–tain, like
[d2A2] ([d/A]A/) ([d/A]e/)|[f2A2] [dA] [dA]|[c2A2] [ec] [dB]|[c2A2]z[ec]|
w:spir–its h-ave fled at the dawn-ing of day; While
[d2A2]([d/A]A/) ([d/A]e/)|[f2A2][dA] [dA]|[e2c2][ec] [ec]|([fd][eA]) [dd]
w:Sol w-ith h-is rad-iance is gil-ding yon f-ount-ain
[AA]|[d2A2]([d/A]A/) ([d/A]e/)|[f2A2][dA] [dA]|[A2c2][ec] [ec]|[c2A2]z
w:as thro’ th-e gr-een mead-ow it rip-ples a-way.
[ec]|[f2c2][fc] [fc]|[d2B2] [dB] [dB]|[g2B2][gB] [gB]|[e2c2] [ec]
w:Then on to the chase for the shrill Horn is sound-ing
[ec]|[f2c2][fc] [fc]|[d2B2] [dB] [dB]|[g2B2][gB] [gB]|[e2c2]
w:And blithe-ly its Ech-oes re-doub-le the strain;
[AA] [AA]|[f2d2] [fd] [fd]|[g2d2][fd] [fd]|[e2c2]([f/d/][e/c/]) ([d/B/][e/c/])|[f2d2] [dA]
w:See the stag from the side of yon for–est i-s bound-ing,
[dA]|[f2d2][fd] [fd]|{a/}[g2d2][fd] [fd]|[f/c2]e/d/e/ [fc] [ec]|[d3d3]
w:Then on to the chace ov-er mount—-ain and plain
A|A A/ A/ A A/ A/|A A/ A/ A A/ A/|”$”[d2A2][AA] [fd]|[d2A2][AA] [fd]|
w:La la la la la la la la la la la la la la la la la la la la la
{a/}[gc] [ec] {a/}[gc] [ec]|{a/}[gc] [ec] {a/}[gc] [ec]|
w:la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
[d2A2][AA] [fd]|[d2A2][AA] [fd]|{a/}[gc] [ec] {a/}[gc] [ec]|{a/}[gc] [ec] {a/}[gc] [ec]|
w: la la la la la la la la la la la la la la la la la la la la
[fA] [f/A/] [f/A/] [aA]|[fA] [f/A/] [f/A/] [aA]|[fd] d/ d/ d [fd]|1H[e4c4]:|2d4|]
w: la la la la la la la la la la la la la la la la la la la la

X:204
T:Jenny Jones TS.204
M:3/4
L:1/8
Q:3/4=50
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
G2|c2G2ED|C3DE2|F2A2dc|B2G2B2|c2G2E2|F3GA2|G2c2B2|c4:|
d>d|e2c2e2|d2B2G2|A3Bcd|B3AG2|e2c2e2|d2B2G2|c2B2A2|”D.C.”G4|]

X:207
T:Freichuzt’s Quadrille, Der TS.207
T:Freischutz Quadrille,Der,aka TS.207
T:Huntsman’s Chorus,aka TS.207
M:2/4
L:1/8
Q:1/4=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:quadrille
C:Carl Maria von Weber 1821
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
A,”$”|D2D/E/F/G/|A2FF|EAEA|F/G/F/E/ DA,|D2 D/E/F/G/|A2FF|EAEA|DF/A/ d||
A/A/|AF/F/ Fd/d/|dA/A/ Af/f/|f2e/d/c/B/|A2FA/A/|AF/F/ Fd/d/|dA/A/ Ad/e/|ff e/d/e/f/|dfd”$”||
A|d2d/e/f/g/|a2ff|eaea|f/g/e/f/ dA|d2d/e/f/g/|a2ff|eac’b|aA/A/ Ae|
ff/f/ fe|d/e/c/d/ BB|gg/g/ gf|e/f/d/e/ cA|d2d/e/f/g/|a2ff|e{^g/}ae{g}a|d2[d’2d2]|
d2Af|d2Af|{a/}ge{a}ge|{a}ge{a}ge|d2Af|d2Af|{a}gege|d/A/^G/A/|^G,/A,/B,/C/”D.C.”|]

X:211
T:Trip to Gretford TS.211
T:Trip to Oxford,aka TS.211
M:6/8
L:1/8
Q:3/8=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:D
DEDF2D|A,2DF2D|ABAB2d|c2de3|
DEDF2D|A,2DF2D|ABAB2c|d3d3:|
|:ABAc2d|e2fg3|f{g/}af d2f|ecAA3|
ABAc2d|e2fg3|f{g/}af gec|d3d3:|]

X:212
T:Hunters Chorus to Der Friechuzt TS.212
M:2/4
L:1/8
Q:1/4=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:Carl Maria von Weber 1821
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
D|G2G/A/B/c/|d2B2|Ad Ad|B/c/B/A/ GD|G2G/A/B/c/|d2B2|Ad fe|d2z:|
A|B2BB|G2GG|c2cc|A2AA|B2BB|G2GG|c2cc|A3||
A|B2BVB|c2BB|A2AA|B2G2|B2BB|c2B2|A2AA|G3||
D/D/|DD/D/ DD/D/|DD/D/ DD/D/|G2DB|G2DB|{d/}cA {d/}cA|{d/}cA {d/}cA|G2DB|
G2DB|{d/}cA {d/}cA|{d/}cA {d/}cA|BG/B/ d2|BG/B/ d2|BG/G/ GG/G/|
GG/G/ Gd/d/|dB/B/ Bg/g/|gd/d/ dg/g/|bb (a/g/f/e/)|e2dd/d/|dB/B/ Bg/g/|
gd/d/ dg/g/|bb a/g/f/a/|g/f/g/b/ a/f/d/f/|g/f/g/b/ a/f/d/f/|gg/g/ gg|g2z|]

X:214
T:Quadrille TS.214
M:2/4
L:1/8
Q:1/4=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:quadrille
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
cccc|(e/d/)(d/c/)B2|(d/c/)(c/B/)A2|(c/B/)(B/G/)E2|
cccc|(e/d/)(d/c/)B2|(d/c/)(c/A/) (c/B/)(B/G/)|AcAz||
Bece|dece|Becf|e^d e^d/=d/|
cccc|e/d/d/c/B2|d/c/c/A/ c/B/B/G/|AcA2||
A/>G/A/>G/ A/>G/A/>G/|AEc2|A/>G/A/>G/ A/>G/A/>G/|AEc2|
B/>A/B/>A/ B/>A/B/>A/|BEsd2|B/>A/B/>A/ B/>A/B/>A/|BE “D.C.”d/c/e/d/|]

X:223
T:Untitled TS.223
M:C
L:1/8
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
R:strathspey
C:Labelled “5th” on MS page.
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
A/B/|c>dcB c>dcB|A<cf>A “G2 added”G2{A/}GA/B/|c>dcA cdfa|”undotted in ms”f<dc>A {A}F2F:|
|:B|”all undotted in ms”A<cf<a “tr”f>afc|d<fc>A G2GB|A<cfc f>af>c|d<fc>AF2F c/B/|
A<cfa A<cfa|”tr”c2f/g/a gG GA/B/|”tr”c>dcd f>g {f/g/}af|f>dcAF2F|]

X:224
T:Untitled TS.224
M:2/4
L:1/8
Q:1/4=110
S:Thomas Sands’ MS,1810,Lincolnshire
C:Labelled “7” on MS page
R:march
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
B|A/B/c”crotchets in MS” .c.c|”undotted qu. in ms”B<d d3|A/B/c AF|E<GG>B|A/B/c .c.c|B/c/d/e/ fd|cA BG|{E}F2F:|
f|g2{f/g/}ae|fcfa/|gf/g/ af|egga|g3{f/g/}ae|fc {g}fe/d/|cABG|{E}F2Ff|
g2{f/g/}ae|fcfa|{a}g2{f/g/}af|eg gf/g/|gfdf|ecfd|”triplet signs added”(3cBA (3BAG|EF2F|]

X:231
T:Miss Fletcher’s Reel TS.231
M:C|
L:1/8
Q:1/2=90
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
N:The final ‘A’ in the first part is merely a grace note in the MS
Z:vmp.Ruairidh Greig, 2011
K:D
D2FA dAFD|E2CE A,ECE|D2FA dAFD|A,/A,/A, B,CD2″NB”A2:|
|:fage dcBA|BABc dAFA|fage dcBA|{c/}BABcd2d2|
fage dcBA|BABc dAFE|D2FA dAFD|A,/A,/A, B,CD2H|]

X:242
T:Scotch Reel TS.242
M:C|
L:1/8
Q:1/2=80
S:Thomas Sands’ MS,1810,Lincolnshire
R:reel
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
B|AFCF Acfc|dBGf eggA|F>AG>B A>cB>d|g>beg aff||
f|cf (a/g/f) c>fAc|B<G g>f egge|c>ed>f e>gfe|fdcB AFFf|
c>f (a/g/f) cfAc|B<Gg>f egge|c>ed>f e>gf>a|gbeg aff|]

X:249
T:Sicilian Dance, The TS.249
M:6/8
L:1/8
Q:3/8=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
C|FGF AGF|c2cc2B|Acf c2B|A2GF2C|
FGF AGF|c2cc2f|efe dc=B|c3″dotted in ms”c2:|
c|g2c b2a|gfe (f2e/f/)|g2c b2a|gfe f>ef|
dbb cbb|Bgg”dot omitted”f2A|BAG c2E|F3″undotted in ms”F3||
A3 GAG|F2F FAc|c3 BcB|A2A Acf|
f2ee2d|d2cc2B|ABc cBA|A3″undotted in ms”G3||
f3fd=B|c>dc ceg|b3 bge|f>gf f2c|
f2ed2c|d2cB2A|BAGc2E|F3F2|]

X:254
T:Bilsby Hornpipe TS.254
M:C
L:1/8
Q:1/2=84
S:Thomas Sands’ MS,1810,Lincolnshire
R:.hornpipe
N:One of many examples of erratic lead notes in ms
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
ed”rpt.added”|:c2A2{B}A>GA>B|c2A2A2B>c|d>fd>B c>ec>A|B>AG>FE2e>d|
c2A2{B}A>GA>B|c2A2A2a>g|f>gf>e ^f>Bc>d|1e>gb>a g>f”_rep.added”e>d:|2 e>gb>ge2z2|]
g>a|b>ag>f e>fg>e|a>ga>e c>de>c|f>=gf>e d>cB>A|G>AB>A G>EF>G|
A>Bc>d e>cac|f>db>a g>fe>d|c>eA>c B>dG>B|1A>Bc>d e>fg>a:|2A>EA>cA2z2|]

X:264
T:Queen Victoria’s Waltz TS.264
M:3/8
L:1/8
Q:1/4=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:waltz
O:England;Lincolnshire
C:In different hand C
Z:vmp.Ruairidh Greig, 2011
K:D
(3D/D/D/|D2(3D/D/D/|D2(3D/D/D/|DFA|d2(3f/f/f/|f2(3f/f/f/|f2g|f2^e|f2:|
|:A|A>GF/G/|(A<d)z|(B<e)z|d<fz|A>GF/G/| A<dz|c>dg/c/|[d2F2]:|
|:f/>f/|f3f/>f/|ff/g/f/e/|dd/e/d/c/|B2e/e/|e2e/e/|ee/f/e/d/|cc/d/c/B/|A2A|
A>GF/G/|A<dz|B<ez|d<fz|A>GF/G/|A<dz|g>ec/e/|[d2F2]:|]

X:266
T:Morning Hymn TS.266
M:2/4
L:1/8
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
C:”A Greek Air” written next to title
N:bar 9 in bass part all crotchets in MS
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
[V:1][cD]>[dF]|[e2G2][e2G2]|[e2G2][c2E2]|[d2F2][B2D2]|[c2E2][cE][dF]|
[V:2]C,2|C,2C,2|C,2C,2|G,,2G,,2|C,2C,2|
[V:1][e2G2][e2G2]|[e2G2][c2E2]|[d2F2][B2D2]|[c2E2]z2|]
[V:2]C,2C,2|C,2C,2|G,,2G,,2|C,2z2|]
[V:1][c2E2C2]BA| GFE2|FG/F/ [EC][DB,]|[E2C2]z2|
[V:2][A,2A,,2][G,G,,][F,F,,]|E,D,[C,2C,,2]|D,E,/F,/ G,G,,|C,E,/G,/ CB,|
[V:1]C2DE|[FG,][AF][GE][FD]|EDCB,|C2|]
[V:2]A,G, F,E,|D,2E,F,|G,2[E,G,,]D,|[G,2E,2C,2]|]

X:267
T:Evening Hymn TS.267
M:C|
L:1/4
Q:1/2=60
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:F
[V:1]F2Ac|dcBA|[G2C2][F2=B,2]|[c2G2E2]z[cA]|
[V:2]F,2F,F,|B,A,G,F,|E,2D,2|C,2zF,|
[V:1][dB]>[ec][fd][dB]|c2(3FAc|[BD]A[GC]B,|[F2A,2]||
[V:2]B,3B,|A,2F,2|B,,2C,2|[F,2F,,2]||#
[V:1]z[cA]|[d2D2][c2F2]|[d2=B2][e2c2]|[f2c2][d2=B2]|[c2G2E2]zc|
[V:2]zF,|B,2A,2|G,2C2|F,2G,2|C,2zA,|
[V:1]BAGF|dcBA|fedc|[f2c2A2]zA|
[V:2]DCB,A,|B,A,G,F,|A,CB,2|A,2zF,|
[V:1]BdGB|AcFB|[A2F2]G2|[F2C2A,2]|]
[V:2]B,,2C,2|F,2A,B,|C2C,2|[F,2F,,2]|]

X:268
T:Henrietta’s Favourite TS.268
M:6/8
L:1/8
Q:3/8=100
S:Thomas Sands’ MS,1810,Lincolnshire
R:jig
C:’By Mr Clark 1840′
C:In different hand C
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:C
(e/f/)|gea gea|g2fe2c|Ade fed|c3B2(e/f/)|
gea gea|g3gfe|edc BAB|c3c2:|
|:B/c/|d^cd gab|d^c=cA2c|Bdg eag|g3f2e|
d^cd edc|Bcd efg|fed cBA|G3G2||
G,|DDD DG,D|EEE ECE|GGG GEG|cGE DG,D|
CCC CG,C|EEE ECE|GAG FED|C3″D.C.”C2|]

X:270
T:Psalm 80th TS.270
M:3/2
L:1/2
Q:1/2=120
S:Thomas Sands’ MS,1810,Lincolnshire
R:air
C:’Composed by the Revd G. Oliver’
O:England;Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:A
[V:1]E|E2G|G2A|GAG|F2B|A2B|(Be)d|
[V:2]e/c/|B2d|e2e|(ed)e|d2d|efg|(fe)f|
[V:3]E|G2B|e2c|BAG|F2B|cde|dcB|
w:O Is-rael’s shep-herd Jo–seph’s guide Our pray-ers to th-ee vouch
[V:4]E,|E,2B,|G,2E,|G,F,E,|B,,2B,|A,F,E,|F,E,D,|
[V:1]edc|B2||”Two Trebles”B/A/|G/B/c/B/A/G/|F/c/B/A/G/F/|
w:____Th-ou that dost on the cher-ubs on th-e cher–ubs
[V:2]g2^a|b2||G/F/|E/G/A/G/F/E/|D/A/G/F/E/D/|
w:___Th-ou that &c
[V:3]cB^A|B2||z|z3|z3|
w:sa-fe to hear
[V:4]E,F,F,,|B,,2||z|z3|z2E,/F,/|
[V:1]Gzz|zzE|G2B|e2g/f/|e3|d3|e3:|
w:ride
[V:2]Ezz|zzg|c’2f|e2e/f/|g3|f3|g3:|
[V:3]z3|zzB|e2d|ecB/A/|G3|F3|G3:|]
w:Ag-ain in sol—emn state ap-pear
[V:4]G,/A,/B,/C/D/B,/|E2E,|E,2F,|G,A,G,/A,/|B,3|B,,3|E,3:|]
w:that dost on the cher-ubs ride