SPENCER, George ms ABC | The Village Music Project

%abc
%%abc-alias George Spencer
%%abc-creator ABCexplorer 1.3.7 [13/12/2009]
%%abc-edited-by www.village-music-project.org.uk
%VMP.Cherri Graebe, 1999
%Revised 20/05/2003
%Revised again 11/2008
%Revised again 12/2009

X:3
T:WINTER a favorite song. GS.003
M:6/8
L:1/8
Q:3/8=80
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G
d| (de) c (Bc) d | (de) cB2 B | A2 A (Ad) c | (c3B2) d |!
(de) c (Bg) f | (fe) d (d^c) B | (BA) d (ed) ^c | {c} d3 zz d |!
(de) B (Bc) c | (cd) A (AB) g | g2 e (eB) G | (DA) F H G2 Z 😐

X:4
T:Andrew Carr. GS.004
M:9/8
L:1/8
Q:3/8=144
S:George Spencer m/s, Leeds,1831
R:.Slip Jig
O:England
A:Leeds
N:This is in a different hand – writing, filling in blank lines at the
N:bottom of
N:pages 4 and 5. Could this be the ‘Andrew Kerr’ published in Scotlnd in
N:1730?
H:1831
Z:vmp.Cherri Graebe
K:G
g2e dBd dBd | g2g gab aba | g2e dBd def | g2G GAB A2 G :|!
|: B2c dBG dBG | c2 d ecA ecA | B2 c dBG def | g2 d GAB A2 G 😐

X:5
T:French Air. GS.005
M:6/8
L:1/8
Q:3/8=100
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:C major
G | Gec BAB | cec G2 G | AGF fed | (c3 B2) G |!
Gec BAB | cec G2G | dcB AGA | (G3 G2) G |!
ddd dBG | eee ecG | feB cge | (e3 d2) G |!
(d3 d)BG | (e3 e)cA | fdB cge | Hd2 G e2 B |!
c2 c d2 e | {g} fed A2A | f2e dcd | c2G d2 B |!
c2cd2e | fed A2A | f2e dcd | c3 z2 |]

X:6
T:Duke of Yorks Cotillion. GS.006
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Cotillion
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D major
A>BA d2 f | e2ee2f | def B2 e | (d3c2) A |!
A>BA d2 f | e2ee2b | afd “tr”e2 f | (d3d3) :|!
|:Bcd A2A | B2B A2A | BcdA2A | B3 “D.C.”A2 ||!
f/2g/2 | a2a f2d | “tr”e>de dfg | a2a f2d | “tr”f3″D.C.”e2 |]

X:8
T:Drunken Wives,The. GS.008
M:4/4
L:1/8
Q:1/2=75
S:George Spencer m/s, Leeds,1831
R:.Strathspey
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:F major
A | D/2D/2D D2 F>GA>F | G/2G/2G G>A “^tr”B>GA>d |\
D/2D/2D D>E F>GA>c | d<fc>f “^tr” A>GG :|!
|: e|f>ec>A “^tr”(f>ga>f) |g/2g/2g g>a b>ga>g |\
f>dc>A f>g {fg}a>g|f>dc>A “^tr”B>GG>(e|!
f)>ec>B (f>ga>f) | g/2g/2g g>a {ga}b>ga>(f |\
f)>dc>A (f>g{fg}a>g) | f>dc>f “^tr”A>GG |]

X:14
T:Crazy Jane. GS.014
M:3/4
L:1/8
Q:3/4=30
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
DG | (A2F).G.A.B | (AB/2)c/2 B2 d>G | {G}F3 GFE | D4 DG |!
.G2. F.GA.B. | (GB/2)c/2 B2 dG | Ec B2 A2 | G4 ||!
“Slow” (FG) | A3 BGE | (AF) D2 (FG) | (AB) F2 “tr”E2 | D4 DG |!
(G2F)GAB | (AB/2)c/2 B2 dG | EcB2A2 | G4 |]

X:15
T:Second Highdance. GS.015
M:9/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Slip Jig
O:England
A:Leeds
N:High Dance – a French English or Scots step or solo dance. ‘end
N:Book’ is written on the stave after the second double bar, but
N:several tunes have the word ‘end’ written at the end. See also note to
N:’The Priest in his Boots’
H:1831
Z:vmp.Cherri Graebe
K:Bb major
f2b fdB BAB | GAB cdB AGF | f2b fdB BAB | Gec Afd B3 :|!
|: cAF cAF F=EF| BcB dfd fcA | cAF cAF FGA | Bcd ecA B3 😐

X:17
T:Cottage Dance. GS.017
T:Kitty O’Lynn,aka. GS.017
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:This tune also occurs as tune No. 45, page 34. The two are identical
N:except for the marked note )E in Mo. 45), and number 45 has repeats
H:1831
H:1831
H:183
Z:vmp.Cherri Graebe
K:C major
e/2d/2 | BGG GEG | AFA G2 e/2d/2 | BGG GEG | f3 fed |!
BGG GEG| Acf a3 | gag gfe | d3 c3 ||!
efg a2g | efg a2 g | g2eg2e | ded fed |!
efg a2 g | efg a2 g | g2eg2e |dcd c2 |]

X:18
T:John of Paris.2voices. GS.018
M:6/8
L:1/8
Q:3/8=90
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:NB–The last three bars (assuming 8 bar B music) are missing – page
N:15 is missing – so I have used the last three bars of the A music.
N:Not the same tune as either of the two Johns of Paris in Dave
N:Townsend’s English Dance Music, or the one in Kerr’s Merrie Melodies.
N:The ‘dim’s’ are written as the standard signs under the notes, each
N:relates to a group of three crochets
H:1831
Z:vmp.Cherri Graebe
K:D major
V:1
[V:1]d | ded fed | efe gfe |\
“^dim.”dfa “^dim.”dfa | gfg e2f |!
[V:2]z | D,F,A, D,F,A, | \
C,E,A, C,E,A, | D,F,A, D,F,A, | A,,F,A, A,,E,A, |!
%
[V:1]ded fed | efe gfe | dfa gea | fea d2 ||!
[V:2]D,F,A, D,F,A, | C,E,A, D,F,A, | F,2D,B,2B,, | D,2F,D,2 ||!
%
[V:1]a | (age) afd | bgg aff | (age) afd | cec ABc |!
[V:2]z | D,E,A, D,F,A, | C,E,A, D,F,A, | C,E,A, D,F,A, | A,,E,A, A,,2 z |!
%
[V:1]dAf eAg |”_last 3 bars missing” efe gfe | dfa gea | fea d2 |]
[V:2][D,2D2]z [C,2C2] z | C,E,A, C,D,A, |\
F,2D,B,2B,, | D,2F,D,2 |]

X:20
T:Mother Goose or Grimaldi – fragment. GS.020
T:Grimaldi. GS.020
M:9/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Slip Jig
O:England
A:Leeds
N:Page 15, which presumably has the start of this tune, is missing.
N:There is a Mother Goose slip jig in the Tildsley MS but it’s not the
N:same.
H:1831
Z:vmp.Cherri Graebe
K:A major
AGA Bed cBA | BGE BGE EFG | ABc dBG A3 😐

X:21
T:La Bell Catherine. GS.021
T:Lady Belle Catherine,aka. GS.021
T:Shrewsbury Quarry,aka. GS.021
T:Come Let Us Sing And Dance,aka. GS.021
M:2/4
L:1/8
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:Occurs in the Thomas Hardy tunebook under ‘Selected tunes from ‘The
N:Entire and Compleat Tutor for the Violin’ by Geminiani (Hardy Family)
N:Collection’, alt. title ‘Come let us sing and Dance – and in Ironbridge
N:Hornpipe, recognisably the same tho’ different in detail, alt. title.
N:’Shrewsbury Quarry– Pa – pause, conventional sign used.
H:1831
Z:vmp.Cherri Graebe
K:D major
z|d2 (f/2e/2).d/2.e/2 | fddB | B2 (e/2f/2).e/2.d/2 | cA A2 |!
d2 (f/2e/2).d/2.e/2 |fd dB | Bedc | d2d :||!
A/2G/2 | FA AG | FA AG | FA (d/2f/2).e/2.d/2 | cA A (A/2G/2) |!
FA A (B/2c/2) | .d(f/2d/2) .c(e/2c/2) |\
.d(f/2e/2) .f(e/2d/2) | Ha2 “D. Capo”A |]

X:22
T:Dashing White Sargent. GS.022
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Scots Measure
O:England
A:Leeds
N:There is a very similar version in the Ironbridge Hornpipe (John Moore
N:of Shropshire MS), which lacks the F# and C#, has alternative title
N:’Highland Reel’
H:1831
Z:vmp.Cherri Graebe
K:F major
AG | FEFG FGAB | c=Bcd c2ag | f2d2c2A2 | d2G2 G2AG |!
FEFG FGAB | c=Bcd c2a2 | g2f2e2d2 | c4c4 ||!
c=Bcd edeg | g^fge “^crs”c2c2 | d^cde fefg | agaf d2d2 |!
e4 f4 | g4 a4 | b2a2 agfe | gfed cBAB ||!
c2f2 fefg | f2c2 c4 | d2g2 g^fga | b2d2d4 |!
c2f2 fefg | a2f2 fefg | a4g4 | f4f2 |]

X:26
T:Lieber Augustine,aka. GS.026
M:3/8
L:1/16
Q:3/8=50
S:George Spencer m/s, Leeds,1831
R:.Waltz
O:England
A:Leeds
N:No Title in ms..I learnt this at school, as a song – ‘Ah my dearest
N:Augustine, all is
N:gone by’. It’s probably by someone famous.
H:1831
Z:vmp.Cherri Graebe
K:G Major
d2dedc | B2G2G2 | A2D2D2 | B2G2G2 | d2dedc | !
B2G2G2 | A2D2D2 | G6 :: A2D2D2 | B2G2G2 |!
c2A2A2 | d2d2 Bc | d2dedc |B2G2G2 | A2D2D2 | G6 😐

X:27
T:Fairy Dance,The. GS.027
T:Largo’s Fairy Dance,aka. GS.027
M:2/4
L:1/8
Q:1/2=100
S:George Spencer m/s, Leeds,1831
R:.Reel
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D Major
f2(fd) | f2(fd) | f2 (fd) | (cA)(ec) | f2 (fd) | (gf)(ed) | (cA)(Bc) |\
d2d2 :|!
|:a2(af) | b2b2 | gfge | a2a2 | f2 fd | gfed | cABc | d2 d2 😐

X:29
T:House That Jack Bilt,The. GS.029
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:’George Spencer Book Leeds 1831′ written on stave at end..This tune
N:rings a bell somewhere.
H:1831
Z:vmp.Cherri Graebe
K:C Major
G | Ged c2B | ABc G2G | Gcc cBc | ^cdd d2G | Ged c2B | ABc G2G |!
Adc BAB | (d3c2) || d | dcB BAG | c2de2g | gfe fAd | (c3B2) d |!
dcB BAG | c2de2g| gfe fdB |(d3c2)|| G | e2c cBc | f2d d3 |!
ded B2G | e3 c2 G | e2c cBc | f2d d3 | ded B2G | (d3c2) |]

X:30
T:Rule Britannia. GS.030
M:4/4
L:1/8
Q:1/4=90
C:Tune: Dr. Arne. Words: Thomson
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
N:Differs slightly from a printed source (only one I have, 1916 Oxford
N:Song Book) – 5 phrases are slightly different, notes values in the OSB
N:are double these.
H:1831
Z:vmp.Cherri Graebe
K:D major
A2 | d2d2 (d/2e/2f/2g/2) ad | e2 {e/2g/2} g2f2 z A |\
(d/2e/2d/2e/2) (f/2g/2f/2g/2) aefe | de/2f/2 ed c3 A |!
cAeA a^g/2f/2 e/2d/2c/2B/2 | A2″tr”B2A2z2 |\
dd>A BGz d | a>ged c2 z d | a2g2 f/2d/2g/2e/2 ad |!
A2″tr”e2d4 | \
f2 z f gg z f | g>fe>d c4 | a2g2 f/2d/2g/2e/2 ag | f2 “tr”e2 d2 |]

X:32
T:Collage Hornpipe. GS.032
T:Sailors Hornpipe,aka. GS.032
T:College Hornpipe,aka. GS.032
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:Mr. Spencer was obviously having serious problems with his pen, as
N:many of the noteheads are large blots. 1 – This bar has five beats,
N:there are two low crochets D’s 2 – this note is given as low D in the
N:MS – and the bar is then
N:repeated identically, (giving 9 bars in the A music). – so one bar
N:has been omitted. There are several other changes that could be made –
N:eg. first two notes would usually be DC rather than GF – but where do
N:you stop?’GS’ written on the stave st the end.
H:1831
Z:vmp.Cherri Graebe
K:D Major
(gf) | d2 D2 “1 see NB” DEFG | A2 d2d2 (cd) | e2 “2” E2 EFGA |!
B2 e2e2 (dc) | defg a2 gf |gfed c2 (BA) |\
(Bd)(ce) (df)(eg) | f2 d2d2 :|!
|: (AG) | FA dA FA dA | B2G2G2 (BG) | GBdG GBdG |!
B2G2G2 (Bc) | defg a2 (gf) | fefd c2 (BA) | Bdce dfeg | BdFA G2G2G2 😐

X:34
T:La Belle. GS.034
T:Davy Davy Knick Knack,aka. GS.034
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
z|GFGA B2B2 | GFGA B2B2 | dcBc A2A2 | dcBc A2A2 |!
GFGA B2B2 | GFGA B2B2 | dcBc A2B2 | G6 :|!
|:Bc | dcBc B2B2 | {f}g4 d4 | dcBc A2A2 | dcBc A2A2 |!
dcBc B2d2 | {f}g4 d4 | dcBc A2B2 | G4 c2 😐

X:37
T:La Fantase. GS.037
T:Sally Sloane’s.etc.aka. GS.037
T:Trip to Cottingham,aka. GS.037
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:F major
(c/2A/2) | FcA FcA | GcB GcB | Acg fef | agg g2 (c/2A/2) |!
FcA FcA | GcB GcB | Acg feg | fff f2 ||!
f/2g/2 | a3 f3 | aaa a3 | g3 e3 | fff f2 f/2g/2 |!
a3f3 | aaa a3 | g3 e3 | fff f2||!
A/2B/2 | c3 BAB | c3 BAB | c2cf2a | agf edc |!
B3 AGA | B3 AGA | Bdc BAG | GFF F2 |]

X:40
T:German Air. GS.040
T:Lieber Augustine,aka. GS.040
M:3/8
L:1/8
Q:3/8=50
S:George Spencer m/s, Leeds,1831
R:.Waltz
O:England
A:Leeds
N:Key signature is given as 3/4 The top note of the chord at the end of
N:the A music is obscured by a blot, but see No. 76, to which this is
N:identical. Chords are shown as crochets in MS…I learnt this tune
N:when
N:I was seven, as a song, words something about’Ah, my dearest
N:Augustine,
N:all is gone by’. Probably composed..Cherri.
H:1831
Z:vmp.Cherri Graebe
K:Bb major
.f(f/2g/2)(f/2e/2) | (dB).B | .c.A.F | .d.B.F |\
.f(f/2g/2)(f/2e/2) |.d.B.B |.c.A.F | [D3B3] :|!
|:.c.A.F | .d.B.G | .e.c.A | fdB | .f(f/2g/2)(f/2e/2)|\
dBB | cAF | [D3B3] 😐

X:41
T:Scots Over The Borders. GS.041
T:Carraroe,aka. GS.041
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:Carraroe,modern title from the playing of The Rakes.
H:1831
Z:vmp.Cherri Graebe
K:D major
D3 F2A | dfe d2 A | BcB B2 b | afd e2 f |!
D3 F2 A | dfe d2 A | BcB AFA| BdF E2D :|!
|:fga afd | bag f2 d | fga afd | fgf e2 d |!
fga afd | bag fed | dcB AFA | B{c}dF E2 D 😐

X:46
T:Ecko Dance. GS.046
M:6/8
L:1/8
Q:3/8=110
S:George Spencer m/s, Leeds,1831
R:.Quadrille
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:F major
c | c=Bc AFc | cBc= BGc | c=Bc ^c2d | G2A AFc |!
c=Bc AFB | c=Bc BFc | c=Bc dBG | EFG F2 ||!
c | “qu”f2 f fef | a2ge2c | “qu”d2e ede | gfe f2c |!
f2f fef|a2ge2c | e2e ede | gfe f2 |]

X:48
T:Swiss Boy. GS.048
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:A tune from an 18th century musical. Unfortunately I can’t
N:remember which one
N:Much blotted by a recalcitrant pen..Cherri.
H:1831
Z:vmp.Cherri Graebe
K:C major
EF | G2EF G2EF | G2ed c2cB | A2fe d2e2 | c4 c2EF | !
G2EF G2EF | G2ed c2G2 | G2fe d2e2 | “1”c4 c2 ||!
G2 | G2dc B2G2 | A2ed c2G2 | F2dc B2G2 | B2cd c2G2 |!
G2dc B2G2 | G2ed c2G2 | G2fe d2ed | c6 |]
W: 1 – this note is shown as a dotted crochet.

X:54
T:All on the Tongo Island. GS.054
T:King of the Cannnibal Islands,aka. GS.054
T:Nottingham Swing,aka. GS.054
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig,See Notes
O:England
A:Leeds
N:CGP.I have difficulty quite often in assigning a “Rhythm” to a tune,
N:and they end up as “miscellaneous” as in this case. The problem here is
N:that the tune is not used for a jig or a quadrille dance nowadays (if
N:ever) but is very strongly associated with the dance “Nottingham
N:Swing”,a hop-step dance usually done to Schottisches or Spotty
N:Hornpipes eg Keel Row, Nae guid Luck(!a 6/8 tune).
H:1831
Z:vmp.Cherri Graebe
K:C major
G | e2d c2 B | “qu”c2 A G2 E | (FE) F D2 F | E2FG2c |!
A2Fc2A | A2Fc2c |(Bc)d G2B | c3 H c2||!
d | e2ee2d | e2ee2d | e2ef2e | d2dd2B |!
c2cc2B | c2cc2B | c2 A d2 c | B2A G2 B ||!
ccc (BA)G | A2Bc2B | ccc BAG | A2Bc2^c |!
d2^cd2c | d2d (de) ^f | g2G GAB | c3 c2 |]

X:55
T:Recovery,The. GS.055
M:2/4
L:1/8
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:The figure 4 over an E is in the MS and is an instruction to use 4th
N:finger not an open string. Those in bars 2 and 10 are written in ink.
N:Those in bars 6 and 14 are possibly in pencil, certainly in a
N:different hand. . – written under note – ? diminuenda.
H:1831
Z:vmp.Cherri Graebe
K:C major
“_See note”.G.c.G.c | (d/2c/2d/2)”4″e/2 d2 | gfdB | ce G2 |!
.G.c.G.c | (d/2c/2d/2″4″e/2) d2 | (gf).d.B | c4 :||!
gfdB | c”4″e G2 | FF F/2E/2F/2G/2 | (F2E2) |!
(gf).d.B | c”4″e G2 | ff f/2e/2f/2d/2 | c4 |!
ee/2e/2 ee |”>” e3 f | edcB | (A/2B/2c/2d/2 e2) |!
dd/2d/2 dd | d3 e | dcBA | G>A G/2F/2E/2F/2 |!
GcGc | (d/c/d/e/) d2 | (gf).d.B | ceG2 |!
GcGc | (d/c/d/e/)d2 | (gf).d.B| [E4c4] |]

X:56
T:Young May Moon,The. GS.056
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:See notes to GS.05….. 1 – not totally clear what slurring is meant.
N:dynamics and pause are shown below stave not on top. 2/1 shown in MS –
N:fingering for the double stop – 2 for C and 1 for E..Cherri.
H:1831
Z:vmp.Cherri Graebe
K:C major
G | “^p”c2c c2G | A2G G2G | c2c dcd | e2c cde |!
f2f e2e | dec B2G | “^1” (AG).F (EF).G | A2G G2 ||!
“^f”G | c2G c2G | A2G G2G | c2c dcd | e2c cde |!
f2f e2e | dec H B2G | AGF EFG | A2c “^2/1″[E2c2] |]

X:57
T:Sir Malcolm Gereams(?). GS.057
M:2/4
L:1/16
Q:1/4=110
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:The change of time signature for the C music is not shown in ms.The
N:words ‘George Spencer, Leeds’ are written on the stave after the final
N:double bar..
H:1831
Z:vmp.Cherri Graebe
K:D major
“_See note”D2DA, F2FD | A2AF d4 | A2A2 BAGF | AGFG E4 |!
D2DA, F2FD | A2AF d4 | cecA BdB^G | A2c2A2 z2 ||!
gfed “^cr”c2 ec | d2fd A4 | A2A2 A2Bc | dcde f4 |!
gfed c2ec | d2fd A2G2 | ^GABc edBG | A2c2A2 z2 ||!
M:3/8
L:1/8
Q:3/8=110
f>ed | dcB | AFG | A2d | fed | dcd | eaa | a3 |!
f>ed | dcB | AFG | ABc |d2d | ede | fdc | d3 |]

X:62
T:Stable Call,The. GS.062
M:3/4
L:1/8
Q:3/4=50
S:George Spencer m/s, Leeds,1831
R:.Fanfare
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
G2GGGG | B2G2B2 | d2 dddd | d2B2d2 |!
g2gggg | g2d2B2 | G2 GGGG | G4 “1”d2 :|!
|:g2 gggg | g4 bg | a2 dddd | e6 |!
a2 aaaa | a4 c’a | b2 gggg | g4 z2 |!
G2 GGGG | B2G2B2 | d2 dddd | d2B2d2 |!
g2 gggg | g2d2B2 | G2 GGGG | G4 😐

X:65
T:Dr. Syntax or The Race horse. GS.065
T:Race Horse,The. GS.065
T:Rose,The. GS.065
M:6/8
L:1/8
Q:3/8=110
C:would suit flute?Rose,The.
S:George Spencer m/s, Leeds,1831
R:.March
O:England
A:Leeds
N:Of Syntax? Dr. Syntax?, and by the side in different writing, ‘the
N:Rose’
H:1831
Z:vmp.Cherri Graebe
K:Bb major
F | B3 (dcB) | fdB BAB | cAF FGB | BDE FGA |!
B3 dcB | fec BAB | cAF FGA | Bdf b2 “_or d in ms” c :|!
|:BDF BDF | dDF BDF | dDF BDF | cEF AGF |!
BDF BDF | dDF BDF | cFA AEF | BDF B2 ||!
f | fed fed | bag fed | bag fed | dcc edc |!
fed fed | bag fed | fgf edc | Bgf ed”^D Capo”c |]

X:67
T:Sicilian Dance,The. GS.067
M:6/8
L:1/8
Q:3/8=110
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:The date 1831 is written on the stave after the final double bar line.
C:”1831″
Z:vmp.Cherri Graebe
K:F Major
F>GF AGF | c2cc2B | ABa c2B | A2GF2C |!
FGF AGF | c2cc2f | e>fe dc=B | c3c3 :|!
|g2 c b2a | gfe fef | g2c b2a | gfe f2c |!
dbb caa | Bgg f2A | BAG c2 E |F3 F3 |!
|A3 GFG | F2F FAc | c3 BAB | A2A A2f |!
(f2e) (e2d) | (d2c) (c2B) | ABc cBA| (A3G2) z ||!
(f3f)d=B | c2cc3 | (b3b)ge | f2ff2c |!
dbb caa | Bgg f2A | BAG c2E | F3F2 |]

X:68
T:Salors (Salours) hornpipe. GS.068
T:Fisher’s Hp,aka. GS.068
T:Egg Hp,aka. GS.068
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:The title is given twice, in what may be different but similar
N:handwritings, 1st time ‘Salors’ 2nd time ‘Salours’ no repeats shown at
N:end of 1st section.. 1 – this bar badly blotted and unclear but see bar
N:3 of this part.See GS.103 Morning Fair Hp…G.S.L. and what appears
N:to be 1881 not1831 written after double bar
N:on the stave – but it could be a badly written 1831..Cherri.
H:1831
Z:vmp.Cherri Graebe
K:D major
“_No time sig. in ms”
A | dAFA GBAG | FDFD GBAG | FDFD GEGE | FDFD E2 (3ABc |!
dAFA GBAG | FDFD GBAG |FAcd fdec | d2d2d2 ||!
(Bd) | “^1” ecAc efgf |fdAd fgaf | ecAc efgf | edcB A2A2 |!
BGDG BcdB | AFDF ABcA | BdcB AGFE | D2D2D2 |]

X:69
T:Waterloo Bridge. GS.069
M:6/8
L:1/8
Q:3/8=100
S:George Spencer m/s, Leeds,1831
R:.Quadrille
O:England
A:Leeds
N:The first note should be omitted when repeating the tune. No repeat
N:marks are given. Da Capo is written in the margin at the end of the
N:line.1831 is written on the stave after the final double bar.
H:1831
Z:vmp.Cherri Graebe
K:C major
“_see note”C | E2 E FDF | Ged cBA | G2 E G2 E | GFE DEF |!
E2 E FEF | Ged cBA | G2EG2E | FDB, C2 ||!
G | c2c cBc | d2 G GFG | d2 d dcd | e2 c c2G |!
EGc cBc | FAd dcd | egf edc | BAG FE”^Da Capo”D |]

X:75
T:Tank,The. GS.075
M:2/4
L:1/8
Q:1/2=100
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:”1″ The chord at the end of the A music has a vertical curved line,
N:like a vertical slur n front of it…’1831′ is written on the stave
N:after the last double bar.
H:1831
Z:vmp.Cherri Graebe
K:Bb major
B2b2 | G2g2 | (fd).c.B | (ec).B.A | .d.e f2 |!
.e.f.g2 | fga2 | “1”[B4b4]::d2dd | f3 d |!
(ge) (ec) (cA) (AF) | d2 de | f3 b | gecA | [D4B4]:|

X:76
T:German Air. GS.076
T:Lieber Augustine. GS.076
M:3/8
L:1/8
Q:3/8=50
S:George Spencer m/s, Leeds,1831
R:.Waltz
O:England
A:Leeds
N:See also number 40 – almost identica 1/0 – fingering given in MS – B
N:is first finger , D is open string.. 1 – this note is G in No. 40
H:1831
Z:vmp.Cherri Graebe
K:Bb major
.f(f/2g/2)(f/2e/2) | (fB).B | .c.A.F | .d.B.F | .f(f/2g/2)(f/2e/2) |!
.d.B.B | .c.A.F | “1/0″[D3B3] ::cAF | dB”1″F |!
ecA | fdB | .f(f/g/)(f/e/) | dBB | cAF | [D3B3] 😐

X:78
T:Muses,The. GS.078
T:Three Meet,aka. GS.078
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:Where ‘$’ is shown above the stave this represents the ‘$’ as in D.S.
N:- dal segno. They are actually above and below the first bar line and
N:the double bar at the start of the minor section, which also has a D.C
H:1831
Z:vmp.Cherri Graebe
K:F major
“_No time sig.in ms”.
c/2B/2 | “^$” Acf Acf | {e}dcd g2f | ede cde | (fef) a2 (c/2B/2) |!
Acf Acf |{e}dcd g2f | ede cde | fag f2 :|!
c | A2cG2c | {G}FEF E2c | A2cG2c | {c}=BAB cde |!
(f3a2)c | {e}(dcd) (f2^f) | {a}(g^fg) bag | =fed cdB”^DC” ||!
“^$ Minore” A | {e}d^cd dcd | fab a2f | egf ed^c | d2fA2A |!
{e}d^cd {e}dcd | g^fg bag | fed ed^c | dAf “^D. Capo”d2 |]

X:79
T:La Lodoiska. GS.079
M:2/4
L:1/16
Q:1/4=70
C:Rodolphe Kreutzer
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:tEngland
A:Leeds
N:Part of ‘The Lancers Quadrille’/ cont.. ‘1831’ written on the stave
N:after the last double bar.. Grace note ‘E’s’ in the C music are
N:naturals.
H:1831
Z:vmp.Cherri Graebe
K:Bb major
“^p”F2 | “_See note” B>BB>B B2B2 | B3F G>AB>c |\
“cres”d>dd>d d2d2 | d3A B>cd>e |!
“^f”f>ff>f f2b2 | f>ed>e f2b2 | f2de gfed | d4c2 ||!
“^p”F2 | B2B2 {B}AGAF | B2B2 {B} AGAF | B2BA edcB |\
A>Bc>d c>FG>A |!
B2B2 {B} A>GA>F |B2B2 {B} A>GA>F | B2Bd ceAc | B6 ||!
B2 | A2{=e}f2{e}f2{e}f2 | f>ed>c B>cd>B | A>BG>A F>GA>F |\
B>AB>c d>cd>B | !
A>FA>c {=e} f2f2 | fedc B2{a}b2 | B2{a}b2 f>ed>c | B4b4 |]

X:80
T:Flying Boy,The. GS.080
T:Cats in the Village,aka. GS.080
M:6/8
L:1/8
Q:120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:Hmm..
H:1831
Z:vmp.Cherri Graebe
K:G major/2c/2 | “p”d2d (e2d) | B2B (d2c) | A2A AGA | (B3 G2) B/2c/2 |!
d2d e2d | B2B d2c | A2A AGF | (G3G2) ||!
“^f”g | f2d def | (g3d2)B | (ce).c (Bd).B | AFD D2g |!
f2d def | (g3e2) g| fga gfe | (d3d2) “^p” B/2c/2 | !
d2d (e2d) | B2B (d2c) | A2A AGA | (B3G2) B/2c/2 |!
d2d (e2d) | B2B d2c | A2A AGF | (G3G2) ||!
“^Minor” B | e2e g2g | fef B2B | c2AF2B | (G3E2) B |!
e2eg2g | fef B2B |c2AF2B | “(Da Capo” (E3E2) |]

X:81
T:Life Let Us Cherish. GS.081
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
B3 cBc | (d2g) g2z | G3 AGA | BdB A3 |!
B3{d} cBc | (d2g) {ga} g2 z |\
B3 {B} AGA | H(G3″Fine”G2) :||!
d | d2B ABc | d2B G2d | d2B ABc | {Bc} d2BG2d |!
e2c g2e | d2B g2d | d>ed dcB | “D.C.”(B3 A2) |]

X:84
T:French Air. GS.084
M:2/4
L:1/8
Q:1/2=60
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:C major
G | (c>B c)>d | .e>(e g)e | {e}(d^cde) | .c(a/2g/2) (^f/g/)(=f/d/) |!
(c>B c)d | e>(e gf/2e/2) | {e}d^cd{f}e | =c3 g |!
(g>B) .B(c/2d/2) | (d>c) .c(A | G).c (c{(dcBc)}d/2).e/2 | (^c2 d) G |!
(=c>B c) .d | eg Hg {g^fag}{( gf)} e | (d>cd).e | c2 z .G |!
(c>Bc)>(d | e)>(eg)(e | d)>(dg>).g | (gc)c |]

X:85
T:Le Petit Tambour. GS.085
T:Grand Old Duke of York,aka. GS.085
M:2/2
L:1/8
Q:1/2=75
S:George Spencer m/s, Leeds,1831
R:.March
O:England
A:Leeds
N:Bears a resemblance to a Cornish song called ‘Trelawney’. 4 – written
N:in MS – this refers to use of the 4th finger for E. The triplets are
N:shown with the number inside the slur, which may mean, slur the notes
N:or merely that these three notes are a triplet.
H:1831
Z:vmp.Cherri Graebe
K:C major
(e>d) | .c2.G2.E2G2 | c2 c>c c3 (B>c) | d2d2d2d2 | (d3ed2) G2 |!
e2e2e2e2 | e2 (fe) d2 (ed) | c2c2 BcdB | c4 z2 || !
(cB) | .A2(A2B2c2) | (d3cB2) cB | .A2(A2B2c2) | d3cB2 cB |!
.A2 (A2B2c2) | ((3d^cd) (3(^fed) (3(=cBc) “4”((3edc) |\
(3(BAB) (3(dcB) (3(A^GA) (3(cBA) | G6 G2 |!
c2 c>c c2c2 | c4 z2 G2 | .c2.g2.e2.c2 | .G2.G2z2.G2 |!
c2 c>c c2c2 | c6 (d>”4″e) | “4”(ed).c.B (dc).B.A | G6 (ed) | !
c2G2E2G2 | c2 c>c c2 B>c | d2 d>d d2d2 | (d3ed2) (G2 |!
e2)e2e2e2 | (3(e^de) (3(gfe) (3(=dcd) (3(fed) |\
(3(cBc) “4”(3(edc) (3(BAB) (3(dcB) | c2c>c c2 |]

X:86
T:Di Tanti Palpite. GS.086
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
N:<> – drawn as a joined diamond shape under the note, but means
N:crescendo and diminuendo?
H:1831
Z:vmp.Cherri Graebe
K:G major
.B4 .B2B2 | {c} B>AB>c d4 | (3(cdc) (3(BcB) .A2.d2 | \
(3(BcB) (3(ABA) G2D2 |!
B4 B2B2 | {c} B>AA>c d4 | (3(cdc) (3(BcB) A2{e2}d2 | G4 z4 |!
A4(^GAc).A | (F4D4) | .G4 (B2d2) | G2(cB) .A4 |!
A4 (^GAc)A | F4D4 | G4 (B2d2) | “<>”A8 | (B4B2B2) |!
(A/2B/2A/2^G/2 A/2B/2c/2d/2 e/2f/2=g/2^d/2 e/2B/2c/2A/2) |\
G4 B2A2 |G4 z4 | [D4B4g4]z4 | g8 |]

X:88
T:Huntsman’s Chorus in Dr. Freyschutz. GS.088
T:Der Freischütz,aka. GS.088
M:2/4
L:1/16
Q:1/4=100
C:C.M. von Weber
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
N:There is a squiggle under the minim chord which could be meant as a
N:crescendo and diminuendo.
H:1831
Z:vmp.Cherri Graebe
K:D major
“_1st time piano, 2nd time forte”A2 | d4 (defg) | (a4 f2) .f2 |\
[A2e2][A2a2][A2e2][A2a2] | (fgfe) .d2.A2 |!
d4 (defg) | (a4f2).f2 | e2a2c’2b2 | a2a2a2 :|!
|: e2 | f4 f2f2 |d4 d2d2 | g4 g2g2 | e4 e2e2 |!
f4 f2f2 | d4 d2d2 | g4 g2g2 | H d6 e2 |!
f4 f2f2 | (a2g2) f4 | e2e2 (fede) | (f4 d2) A2 |!
f4 f2f2 | (a2g2) f4 | (gede) f2e2 | d4 z2 A2 |!
A2AA A2AA | A2AA A2AA | d4A2f2 | d4 A2f2 |!
(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | d4 A2f2 | d4 A2f2 | !
(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | .f2(df a4) | .f2(df a4) | !
f2dd d2d2| H[c8e8] | d4 A2f2 | d4 A2f2 |!
(ag).e2 (ag).e2 | (ag).e2 (ag).e2| d4 A2f2 | d4 A2f2 |!
(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | f2df a4 | f2dfa4 |\
f2dd d2d2 | d12|]

X:89
T:Hornpipe,A. GS.089
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:”$” = the usual S with a line through it for repeat from here. The
N:second $ is written over the double bar. The first full bar has a line
N:over it and the word ‘biss’ – the first ‘s’ written as an old-style
N:long ‘s’ This (I assume!) is ‘bis’ – twice, so I have written the bar
N:out twice. The bar also has repeat marks at the end. As written the
N:music has 8 bars A music and (with repeats) 16 bars B music.
H:1831
Z:vmp.Cherri Graebe
K:D major
:”$” (3(ABc) | dcdc dfaf | dcdc dfaf | dfba gfed |1 cdBc ABcA :|\
|2 “$” cdec d2 |!
|:fg | afaf bagf | gfgb agfe | fdef gfed | cdBc A3A |!
defd BcdB | efge cd”?”ec | agba gfed | d2d2d2 😐

X:90
T:Chalmers’ Hornpipe. GS.090
M:2/2
L:1/8
Q:1/2=80
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:” “1” This note has a natural written over it, above the stave The
N:slur joins only the ‘F’ and the grace notes, but ABC2win doesn’t like
N:that. “2” – grace note (semiquaver) is slurred with the following
N:note “3” impossible to show as written! Main note has a “~” over it –
N:the sign for a turn which is also correctly written out in terms of
N:pitch – the ‘B’ is shown as a normal sized note, the others as
N:grace-note size. “4” -” ~” and sign for natural shown vertically
N:underneath it, so it’s a turn with an E natural and won’t play quite
N:right here. The final pause is written above the double bar. Fine is
N:written below it.
H:1831
Z:vmp.Cherri Graebe
K:Bb major
F | BAcA Bdfd | c=BdB cege |.dbfd .cgec | AecA “1”(F{GF=EF}) GA |!
“2”{c}BAcA Bdgd | “2”{d}c=BdB cege | .dbfd .cgec | .AecA B2 :|!
|: “3 ~”(c/4B/4A/4B/4) | cfef cfef | df=ef bfdB | cfef cfef |\
dfga bfdB |!
gfed e=Bcg | fedc dA_Bf | efde cdBd | ABGA ” nat 4″ ~F2 GA |!
BAcA Bdfd | c=BdB cege | .dbfd .cgec |.AecA ” nat 4″ ~F2 GA |!
“2”{c}BAcA Bdfd | “2”{d}c=BdB cege |.dbfd .cgec |\
.AecA H”Fine”B2:|

X:92
T:Shuters Hornpipe. GS.092
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:A major
(EF/2G/2) | A2A2A2 cd | ecdB ABcA |[E2B2][E2B2][E2B2] fe |\
dcBA GBGE |!
A2A2A2 cd |ecdB A2 a2 | gbge fafd | e2 ee e2 ||!
GA | B2B2B2 cd | ecBA GBGE |\
e2e2e2 fg | afed ce”^BG in ms”cA |!
f2d2 dfaf | e2c2 ceae | fdec dBAG | A2 AA A2|]

X:94
T:Blickling Races. GS.094
T:Timour The Tartar,aka. GS.094
T:Blanchard Races,aka. GS.094
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Reel
O:England
A:Leeds
N:Blickling in Norfolk? Though someone has written ‘Brickling Races’,
N:probably in pencil. George Spencer Leeds is written on the stave at
N:the end of the tune. Pause is the conventional sign, written over the
N:first double bar. DC is written after the second double bar on the
N:stave..
K:A major
A2 (c/2B/2A) eAcA | eAaA gAfA | eA (c/2B/2A) eAcA | BEcE dEcE |!
A2 (c/2B/2A) eAcA |eAaA gAfA | efed caec | BABc A2HA2 || !
G2 (G/2F/2E) BEGE | BEdE cEBE |\
A2 (c/2B/2A) eAcA | eAfA eAcA |!
eA (c/2B/2A) aAfA | eA (c/2B/2A) aAfA|\
ecfe dcBA | GABA GEF”^DC”G |]

X:95
T:Earl Cathcart. GS.095
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:I think what is meant with the repeats is that the 1st bar is played
N:first time through, but after that the last bar replaced the first bar
N:$ = conventional
N:dal segno sign… + is , yes, a cross. The first bar line, shown here
N:as double with repeat marks, is single in the MS, but ABC2win wants it
N:double. It can’t cope with ungrammatical music. DC is written below
N:the stave and the pause
N:is written over the double bar.
H:1831
Z:vmp.Cherri Graebe
K:G Major
“+” DGB d2d |: “$” dcB A2 c | BGd cAe | G3F2D |!
DGB d2d | dcB A2 c | cBA BAF | A3HG2 :|!
|: d | def g2g | gfe d2d |ecB Ace | G3F2A | GB^c def |!
B3 g2g | fed ^cde | dec def “^DC”|| “+” gdB GB”$”d |]

X:97
T:York Winter Assemblies. GS.097
M:2/4
L:1/8
Q:1/2=80
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D Major
D | DFAd | A2 BA | A/2G/2F/2E/2 DA, | EDDA, |!
DFAd | A2 BA | A/2G/2F/2E/2 DC | E2 D ||!
A |d2 AA | f2dd | c/2d/2e/2f/2 gf | f2 eA |!
d2 AA | f2 dd |c/2d/2/e/2f/2 gc | e2d ||!
A | A2 GF | d2cB | AGFE | D/2C/2D/2E/2 DF |!
A2 GF | d2 cB | AGFE | DFD |]

X:100
T:No Luck About the House. GS.100
T:Nae Guid Luck Aboot etc,aka. GS.100
M:4/4
L:1/8
Q:1/2=80
S:George Spencer m/s, Leeds,1831
R:.Schottische
O:England
A:Leeds
N:See my comments in GS.054, Unfortunately Mr. Spencer was having
N:serious problems with his pen, but the combination of well-known tune
N:and very luckily spaced blots means it is legible.Cherri.. P.S.
N:Cherri, I think he was closing the
N:book before the ink was dry,. Chris P.
H:1831
Z:vmp.Cherri Graebe
K:G major
d | g>fdB c>def | g>edB A2 AB | g>edB c>def | d>cBA G2G :|!
|:A | B2 BG c2 cA | B2 BG A2Ac | B2BG c>def | dcBA G2 G 😐

X:102
T:Paddy O’Carrel. GS.102
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D major
” qus”(A/2G/2) | FDD FDD | F>GF FED | AFF dEF | E>FE EAG |!
FDD FDD | F>GF FED| AFF dFF | D>ED D2 ||!
a/2g/2 | fed ecd | BdB AGF | fda eca | dB^g a2a/g/ |!
fdd ecc | B>dB AGF| AFF dFF | D>ED D2 |]

X:103
T:Morning Fair Hornpipe. GS.103
T:Rickett’s Hp,aka. GS.103
T:Manchester Hp,aka. GS.103
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:Differs from Rickett’s Hp. in the B strain..The name Charles ? is
N:written on the stave at the end of the music,
N:then crossed out. The missing surname resembles ‘Naseby’
H:1831
Z:vmp.Cherri Graebe
K:D major
A2 | dcdA FAdf | edcB A2 ef | gege Bged | dcec Aged |!
dcdA FAdf | edcB A2 g2 | fafd Bgec | “1”{c}d2 {c}d2 {c}d2 :|!
|: fg | affd dffa | bgge efgb |affe bged | cdBc Agfe |!
dcdG FAdf | edcB A2g2 | fafd Bgec | {c}d2 {c}d2 {c}d2 😐

X:104
T:Seventh Bullet. GS.104
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
d4 (^cde)c | f4 (fgag) | b4 (agf)e | e2d2 z4 | A2B2c2^c2 |!
d2g2 (fed)c | B2d2 (BcBA) | “cr” HG6 ||!
D2 | G2G2 B2B2 | ^c2d2 z2 d2 | b2 ag (fgd)B |!
(edcA) G2D2 | G2G2B2B2 | ^c2d2 z2 d2 | ^c2g2d2c2 | d6 Bc |]

X:106
T:Cl. Stewart’s Quadrille. GS.106
M:2/4
L:1/16
Q:1/4=100
S:George Spencer m/s, Leeds,1831
R:.Quadrille
O:England
A:Leeds
N:’George Spencer’ is written on the stave after the last double bar.
N:ABC2Win doesn’t like reading Chords, and always messes them up. .
N:$ is conventional dal segno.. pause is written as conventional sign
N:over bar line, ff is written under the double bar $ is written on the
N:stave after the last double bar, Da Capo is written underneath..
H:1831
Z:vmp.Cherri Graebe
K:F major
“$”AB | c2f2d2f2 | cdcB A2[A2c2] | [G2B2][G2B2][F2A2][F2A2] |\
[C6G6] AB |!
[A2c2]f2d2f2 | cdcB A2c2 |d2f2e2c2 | [A2f2] H”^ff” z ||!
f2 z2e2z2 | f6 d2 | c2c2B2A2 |A2G2 z2 c2 |!
f2 z2 e2 z2 | fcag fedc | BAGF G2c2 | BFGA Bcde |!
fgaf efge | fcde fcdf | cfac’ bgaf | a2g2z2c2 |!
fgaf efge | fcde fcdf | cfac’ =bc’_bg | \
[A2f2][c2a2] “$ Da Capo”[A2f2]|]

X:111
T:Gallop on Gaily. GS.111
M:6/8
L:1/8
Q:3/8=110
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:’George Spencer’ written after the end of the music
H:1831
Z:vmp.Cherri Graebe
K:D major
A | ABA d2 f | gfe fga | ABA d2 f | gec d2 :|!
|: e | efe aec | fdB ecA |efe aec | edB A2 e |!
efe aec | edB ecA | efe aec | edB A3 ||!
(D3F2)G | AAA A2a | aba agf |gfe fga |!
D3 F2 “^cr” G | AAA A2a | aba agf | gfe d3 |]

X:115
T:Wanton Widow,The. GS.115
M:2/4
L:1/8
Q:1/2=80
S:George Spencer m/s, Leeds,1831
R:.Country-dance
O:England
A:Leeds
N:1- the two groups in this bar are marked as triplets in the MS.
H:1831
Z:vmp.Cherri Graebe
K:D major
a | {g} fedf | gbeg | fadf | e/d/c/B/ Aa |!
{g} fedf | gbeg | “1”f/g/a A/B/c | d3 :|!
|:A| FAdf | eAgA | fadf | e/d/c/B/ AA |!
FAdf | eAgA | faAc | d3 😐

X:120
T:Priest In his Boots,The. GS.120
M:6/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Jig
O:England
A:Leeds
N:Date information – ‘George Spencer Book Leeds September 8 when he
N:finished this Book Kings Coronation Day’ – but there are four tunes
N:after this ..Cherri..King George III died unlamented in 1830, and was
N:succeeded by his brother William IV ,King 1831 – 1837 “His
N:Majesty,though at times a jovial and, for a king, an honest man,was a
N:weak,ignorant commonplace sort of person..his very popularity was
N:aquired at the price of something like public contempt.-The Spectator..
N:Chris P.
H:1831
Z:vmp.Cherri Graebe
K:D major
eee eee | efd cBA | d2d fed | c2d e3 |!
eee eee | efd cBA |d2e faf | gec d3 :|!
|: a2fg2e | f2d ecA | d2e fed | c2d e3 |!
afa geg | fdf ecA | d2d faf | gec d3 😐

X:121
T:Tumblers Hornpipe. GS.121
T:Washington Hp,aka. GS.121
T:Y Fasged Wyau,aka. GS.121
M:2/2
L:1/8
Q:1/2=90
S:George Spencer m/s, Leeds,1831
R:.Hornpipe
O:England
A:Leeds
N:aka Basket of Eggs/Egg Basket/William Andrews Hp
N:C(Sheepstor,Dartmoor)and a version from Quebec, title
N:unknown.Also Daniel’s Hp,J.Clare ms…’George Spencer Leeds 1831′
N:written on stave after music
H:1831
Z:vmp.Cherri Graebe
K:Bb major
Bcde fBAB | gBaB bBAB | GBFB EBDB | edcB BAGF |!
Bcde fBAB | gBaB gBAB | GBFB EBDB | ecBA B4 ||!
fBAB gBAB | fBAB gBAB | gbba gfge | edcB BAGF |!
Bcde fBAB |gBaB bBAB | GBFB EBDB | dcBA ” cr”B4|]

X:123
T:Zelmira. GS.123
M:4/4
L:1/16
Q:1/4=90
S:George Spencer m/s, Leeds,1831
R:.Air
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
d4 d^cde d2g2 d4 | Bc^GA e2d2 “_as writ”B<cA<B G4 |\
B4 B^ABc B2e2 g4 | gf^cd eAB^ce2f2 d4 ||!
a2f2 dede d2g2 b4 | ba^ga dede d2B2 G4 |\
g4a4b4 c’a | gbfa fadf | b4g4 |]

X:124
T:Three Fingered Jack. GS.124
M:9/8
L:1/8
Q:3/8=120
S:George Spencer m/s, Leeds,1831
R:.Slip Jig
O:England
A:Leeds
N:First three sets of grace notes shown as slurred to the following note.
N:All grace
N:notes shown as semi-quavers.
H:1831
Z:vmp.Cherri Graebe
K:D major
{fg}a3 afd ecA | {fg} a3 afd bge | {fg}a3 afd ecA | Bdc {e}dcB AFD :|!
|:afd {e}(dcd) bge | afd {e}dcd ecA | afd bge afd | gec ABc d3 😐