TYLDSLEY, Wm. ms ABC | The Village Music Project

%abc
%%abc-alias Wm Tyldesley
%%abc-creator ABCexplorer 1.3.7 [13/12/2009]
%%abc-edited-by www.village-music-project.org.uk
%VMP.Taz Tarry, 1999
%Revised 21/05/2003
%Revised again 11/2008
%Revised again 12/2009

X:1
T:Rule Britannia. TLY.001
M:4/4
L:1/8
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
N:Bar line placed before the A in MS.I’ve corrected this as it does not
N:affect the tune in any way.CGP.
H:1860.
Z:vmp.Taz Tarry.
K:D
A2|d2d2 d/e/f//g/ ad|e2 ef/g/f2 z A|d/c/d/e/ f/e/f/g/ aefe|\
de/f/ e d c2z”*”A|!
cAdc ag/2f/2 ed|c2~B2A2 z2|d2dA BG z d|\
gfed A2 z e|a2 g2 f/d/g/e/ a/f/e/d/|!
A2 ~e2d2 z2 ||:”^Chorus”f3f gg c f|gfed A2 z2|\
a2g2 f/d/g/e/ a/f/e/d/|A2e2d2:|

X:4
T:Beggar Girl,The. TLY.004
M:6/8
L:1/8
Q:3/8=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Misc.
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
d>cB d>cB|A>GA B3|d>cB d>cB|A>GA G2d|!
d>cB d>cB| A>GA B>cd|d>cB d>cB|A>GA G2z:||!
DGB DAc|DcB {B}A>GA|DG=F E2 “^Rallantando”c/c/|BAG d2 c|!
d>cB d>cB|A>GA B>cd|d>cB e>fg|B>cA G2 z|]

X:7
T:Mad Moll. TLY.007
T:Peacock Followed The Hen,aka. TLY007
M:9/4
L:1/4
Q:3/4=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Slip Jig
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
F|c>d (ec) A A c A A|c>d (ec) AA B2 G|c>d e c A A c A A|!
B>c d d>e d B2G||c>d e (ge) e (ge) e|!
c>d e (ge) e f2 d|c>d e (ge) e (ge) e|\
B>c d d>e d B2 G|]

X:11
T:Hussar Waltz. TLY.011
M:3/8
L:1/8
Q:3/8=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
d|dba|gBd|cAf|gBd|dba|gBd|cAf|g2:|!
|:d|cAf|gBd|cAf|gBd|dba|gBd|cAf|g2:|

X:13
T:Irish Emigrant. TLY.013
M:2/4
L:1/8
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
N:Time signmature in original given as 3/4. Title given as “Irish
N:Emegrant” in Ms.
H:1860.
Z:vmp.Taz Tarry.
K:D
A|d>c B>A|BA F>F|F>E F>E|D2 z (E/F/)|!
GF GA|Bc d>d|cE c>B|A2 z A|!
fedc|BA GF/2E/2|EFGA|B2 z (B/c/)|!
d>cBA|BA FF/2F/2|F>EFE|D2 z2||!
F|FdcB|ABd>F|Fedc|B2 z (B/2c/2)|!
d>cde|f>c d(c/2c/2)|BB Ac|B2 z A/2A/2|!
A>F Ad|d>d ec/2/c/2|Afed|BB z (B/2c/2)|!
d>cBA|B>A FF/2F/2|F>EFE|D2|]

X:16
T:Handel’s Clarinet.2Parts. TLY.016
M:4/4
L:1/8
Q:1/4=120
C:by Handel?just guessing!
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
N:Sorry – can’t decipher title – possibly should be Handel’s .
N:something.T.T.. Ed.Handes Clavriet in MS I Have taken to mean Handel’s
N:Clarinet. CGP.
H:1860.
Z:vmp.Taz Tarry.
K:D
[V:1]|:a2f/2g/2a/2b/2 {f}”tr”e2dA|((3ded) (3efe “tr”f3 g/2a/2|\
bbba/2g/2 aaag/2f/2|!
[V:2]|:f2d/2e/2f/2g/2 {d}e2dD|((3FGF) ((3ABA) d3 e/2f/2|gggf/2e/2 fffe/2d/2|!
%
[V:1]gggf/2e/2 fffe|d/2e/2f/2g/2 ag/2f/2 b z g z|a z A z d4:|!
[V:2]eeed/2c/2 dddA|d/2c/2d/2e/2 fe/2d/2 g z e z|fz AzF4:|!
%
[V:1]|:a2|fAdf e/2d/2e/2f/2 ea|fAdf e3 a|”tr”a8|a6 a2|!
[V:2]|:a2|”tr”a8|a6a2|dAdf e/2d/2e/2f/2 ea|fAdf “tr”e4|(gf)(fe) (ed)(de)|!
%
[V:1](ba)(ag) (gf)fg|(ag)(gf) (fe) “tr”e2|\
d/2e/2f/2g/2 ag/2f/2 b z g z| a z Az d2:|
[V:2]feed (dA) “tr”A2|d/2e/2f/2e/2 fe/2d/2 g ze z|az Az G2:|

X:27
T:Mozarts Waltz,1. TLY.027
M:3/8
L:1/16
Q:3/8=50
C:Can’t think..
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
N:Has the same title as the next tune, and it may be the Primo part or
N:not. Somebody could try them out and see if they fit together?. CGP.
H:1860.
Z:vmp.Taz Tarry.
K:C
cd|e2e2e2|edefge|f2f2f2|e4e2|d2d2d2|c2c2c2|d2dcde|[E4G4c4]:|!
|:g2|c’gegc’g|bgdgbg|c’gegc’g|bgdgbg|!
c’bagfe|dcBAGF|EGcedB|[E4G4c4]:|!
|:g2|[e4g4] [c2e2]|[c4e4] [e2g2]|\
[e2g2][d2f2][B2d2]|[B3d3][ce][d2f2]|\
[c3e3][df][e2g2]|[e2g2][d2f2][c2e2]|[c2e2][B2d2][B2d2]|\
[B4d4][e2g2]|[e4g4] e2|!
c’bagfe|[d4f4][d2B2]|d’c’bagf|e3fe2|d2c2d2|\
[E2G2c2][E2G2c2][E2G2c2]|[E4G4c4]:|

X:31
T:Lord Hardwickes March. TLY.031
M:4/4
L:1/8
Q:1/2=80
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of
N:B part and at end of D par
H:1860.
Z:vmp.Taz Tarry.
K:D
a>g|:f2 f>f f2f2|(~f3a) d’agf|e2 e>e e2e2|(~e3f) (gb).a.g|!
f2 f>f f2f2|(~f3a) d’agf|(eb).a.g (fe).d.c|d2 d>d d2:|!
|:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|!
a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a(.a^g)| a2 a>a (ab).a.g||!
d4 A3 d|f4 d3 f|a2 d’>a f2 a>f| d2 f>d A2 g2|!
f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|\
f2 a>a f2 d2|a2 A>AA2 z2:|!
|:AA/2A/2 AA AAAA|(g4e2) z2|AA/2A/2 AA AAAA|(a4f2) z2|!
AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:|

X:32
T:Slow March,1. TLY.032
M:4/4
L:1/8
Q:1/2=70
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
A2|d2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d’2 (ag)(fe)|f2d2d2A2|!
d2d2 (d<f)(e<g)|f2f2 (f<a) (g<b)|a2 (gf) (ba)(gf)|{f2}e6:|!
|:A2|e2e2(ef)(ed)|(cB)(A^G) A2 z A|a2a2 (ab)(ag)|(fe)(dc) d2 z2|!
f2 ff e2b2|d2ddc2f2|e2 (dc) (dB)(A^G)|A2A2 AGFE|!
{D}d2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d’2 (ag)(fe)|f2d2d2A2|!
d2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d2 (fe)(dc)|\
(d<f) (e<g) (f<a) (g<b)|!
a2d2 (fe)(dc)|(d<f) (e<g) (f<a) (g<b)|a2d2(fe)(dc)|d2 z fd2 z f|!
d2 d’2 a2 f2|d2 dd d2d2|d2 z2 d2 z2|d6:|

X:33
T:Prince of Wales March. TLY.033
M:4/4
L:1/8
Q:1/2=70
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:Last quaver bar 2 marked p, last crotchet bar 4 marked
H:1860.
Z:vmp.Taz Tarry.
K:C
G2|c3G c>Gc>e|g3e g2 z”^P” e|d2d2e2g2|(gfef) e2″^F”G2|\
c3G c>Gc>e|g3e g2 (gc’)|a2 a>a (ac’bc’) (d’c’ba)|\
{a}g2 (eg) {g}f2 df|\
{f}e2 (ce) {e}d2 (B/2c/2d/2e/2)|d2g2g2 z2|\
“^P”d2(B/c/d/e/) (d/c/B/d/) (e/^f/g/a/)|\
.b.b.b.b (b/a/g/^f/) (g/f/e/d/)|\
(c/B/c/d/)c2(c/A/B/c/) (d/e/^f/g/)|\
.a.a.a.a (a/g/^f/e/) (d/c/B/c/)|\
(Bg)g3(gbg)|\
(^de)e3(^fge)|dg (^f/e/d/c/)B2~A2|G2g>gg2:|\
|:”^P”(B>c)|d3cB2″^F”.g.^f|.e.d.c.B .A.B.c.d|\
“^P”c3BA2″^F”.a.g.|.^f.e.d.e .d.c.B.c|\
.B.c.d.e .^f.g.a.b|e(c’/b/) (d’/c’/b/a/)g2^f2|\
g2g2g2(g>f)|e2(g>f)e2g2|\
g2e2f2(f>e)|d2(f>e)d2f2|(gf).e.d e2″^F”(c’b)|\
.a(c’/b/) (d’/c’/b/a/) g(e/g/) (g/f/e/d/)|\
c>ce>e g>gc’>c’|a>a (~a^g/a/)|f>f (fe/f/)|dd (c/B/A/G/) cegc’|\
g(e/f/) ge cc/c/ cc|ee/e/ ee gg/g/ gg|c’2c’>c’c’2:|\
|BB/2B/2 BB BBBB|BB/2B/2 BB BBBB|\
BB/2B/2 BB/2B/2 (B/2G/2).A/2.B/2 .c/2.d/2.e/2.f/2|\
“^FF”[g4B4D4]g3 g|gg/2g/2 gg gggg|gg/2g/2 gg gggg|gg/2g/2 gg/2g/2 g2||\
“^P Flutes 8va”Bc|e>d (d2d).e.f.g|(g>d) B2 z2 B>d|\
c2dc B>AB>c|(B>A) A2 z2 (AB)|\
c4 {dc}(BAGF)|d4 {ed^c} (defg)|g4 fedc|”^8va”(Bc^cd) (AB=c^c)|\
(ed) (.d2d).e.f.g |g>d B2 z2 (Bd)|c2 d>c (BABc)|BA A2 z2 AB|\
c4 (BAGF)|d4 (^cdef)|(ge)cA (FA)dc|(c4B2) (AB)|c4 (BAGF)|\
(d4d)efg|g3d d^c=cA|”^FF”G4 z2 B2|\
d2 g2 b2 g2|”^FF”(d4d)(e/d/) (c/B/A/G/)|\
.F.G.A.B .c.d.e.f|”^FF”[D4c4g4] z2 B2|d2 g2 b2 g2|\
(d4d)(e/d/) c/2B/2A/2G/2|F2 A2 c2 F2|\
.G.g.f.e .d.c.B.A|GABc defg|g2 B>B c>c^c>c|d>de>e d2f2|\
“^F”gg/2g/2 gg .g.d.g.b|\
“^Cres.”gg/2g/2 gg .g.d.g.b|”^F”gdgb “^FF”gdgb|\
“^FF”[D4B4g4] [D3B3g3] [DBg]|[D4B4g4]z4|]

X:35
T:Very Favorite Duett. TLY.035
M:3/4
L:1/8
Q:3/4=40
S:Wm.Tildesley,Swinton,Lancs.1860s.
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
f4 gf/2g/2|a2 f2 d2|b3 c’d’b|a2 f2 d2|!
e3 fge| fdfad’b|(ba)(ag)(gf)|f4e2:|!
|:e3 fge| fdfad’b| baaggf|f4 e2|f4 gf/2g2|a2f2d2|!
b3 c’d’b| a2 f2 d2|e3 fge|fdfad’b | agfedc|d4 d2:|!
|:fdfdge| afgefd|bfbfd’b|afgefd|!
Acegec|dfac’d’b|afgefd|1fedcBA:|2f4 e2||!
|:Acegec|dfac’d’b|afgefd| f4 e2|fdfdge| afgefd|!
bgbgd’b|afgefd|Acegec|dfac’d’b|agfedc|d4 d2|]

X:36
T:My Ain Kind Dearie. TLY.036
M:4/4
L:1/8
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:A
c>B|”_As written”{AB} cEEF A>BAc| B>c d/2c/2B/2A/2 cFF c>B|cEEF A>BA a/2e/2|!
f>e f/2g/2a/2e/2 cAA c>B| cEEF A>B A/2c/2e/2c/2|\
B/2d/2c/2e/2 d/2c/2B/2A/2 cFF c>B|!
cEEF A>B A/2e/2a/2e/2| f>e d/2c/2B/2e/2 cAAe|\
~f3/4e/4f/2g/2 ac d>cde fA|!
B/2A/2B/2c/2 d/2c/2B/2A/2 cFF c3/4B/4|\
cEEF A>B A/2c/2a/2g/2| ~f>e f/2g/2a/2e/2 cAA|]

X:37
T:Scotch Air. TLY.037
M:4/4
L:1/8
Q:1/2=60
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
(f>g)|a3 b (a>f)(ed)|(e>d)(ef)B3 d|\
(A>B)(AF) A2 (dA)|F2 (A>B)A2 (d/e/f/g/)|!
a3 b (a>f)(ed)|(gf)(ed) {c}B2 (f>e)|\
(d<B)(A<F) A2 (d>e)|{de}f2 (~e>d)d2||!
|AG|F3 A (~B>A)(B>d)|~e>def B3 b|\
a>b(af) (gf)(ed)|g>b (b/a/g/f/) e2 (a>g)|!
(ga)(bc’) d’2 (c’>b)|(af)(ed) B2 (f>e)|\
(d<B)(A<F) A2 (d>e)|(d/e/f) (~e>d) d2|]

X:38
T:Quadrille. TLY.038
M:6/8
L:1/8
Q:3/8=110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:There is a ‘signo’ at start of first bar and at the end of the tune,
N:with a DC sign at the end also. Second note of 7th. bar is assumed to
N:be b as in third bar (ledger line missing
H:1860.
Z:vmp.Taz Tarry.
K:D
d/2e/2|f2f fef|a3f3| gbg edc|!
dfd A2 d/2e/2|f2f fef|a3f3| gbg edc|d2e d2:||!
c/2d/2|ecA ecA| g3 e3| fga agf| ecA A2 f/2g/2|!
afd afd| d’3 b3|c’d’e’ d’c’b|aba”^DC” gfe|]

X:39
T:Campbells Are Coming,The. TLY.039
M:6/8
L:1/8
Q:3/8=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Jig
O:England.
A:Lancashire.
N:No keysignature given in original, but probably D. At end it is marked
N:DC – I’ve used chord notation to cheat
H:1860.
Z:vmp.Taz Tarry.
K:C
G|”_As Written”cea gec|[Ge][Ge][Ge] [G2e2] d|cea gec|\
[Ge][Ge][Ge] [G2e2] e|cea gec|!
e2 g (c’2d’)|(e’d’)c’- c'(ba)| gaf efd:||G|c2c cde| G2G GED|!
c2c cde|A2A A2B|cdc cBA| GAB c2d|edc cBA|gaf “D.C.”efd|]

X:41
T:Aria. TLY.041
M:3/8
L:1/8
Q:3/8=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
N:25 bar marked cresc. 32nd. bar first crotchet marked pause, last quaver
N:A marked p. 45th. bar marked fort
H:1860.
Z:vmp.Taz Tarry.
K:D
A|ddd|d2e| (fg).e|d2e| fff| f2g| (ab).g| f2 (d’/c’/)|!
bbb| b2 (b/a/)| ggg|g2 (a/g/)| (fe).d| (ag).f| eee|e2:|!
A|aaf| g2e| ffd| e2A| d2d| e2e|f>af| e2a|!
“Cres.” b>c’b| (d’c’).b| a>ba| (ba).g|f>ga| (ag).f| eee| e2A|!
A>BA|AB=c| (=c3|B2) B|B>cB|Bcd|(d3|c2) A|!
BdB| cec| dfd| ege| f>ga| (gf).e|d’3| b3|!
a>gf| (gf).e| d’3| bc’d’| a>gf| (gf).e| ddd|!
d/c/d/e/f/g/| afd| (AB).c|dd’d’|d’3:|

X:43
T:Slow March,2. TLY.043
M:4/4
L:1/8
Q:1/2=60
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:bar 1 is marked with a sign. Bars 9,10, 1313 and 14 are marked f, and
N:have dotted quaver-semiquaver crothcet rhythm marked under the crotchet
N:rests. End of bar 16 is marked with a sign. Minim A in bar 24 is marked
N:accented
H:1860.
Z:vmp.Taz Tarry.
K:G
(d/e/d/c/)|:”S”B2 B>B B2 ~c2|d3 ^d (ef)(ge)|\
(ed).B.d (dc)(cB)|{B}A2A.A A2 (d/e/d/c/)|!
B2 B>B B2 ~c2|d3 ^d (ef)(ge)|(ed).B.d (dc).B.A|G2 G>G G2:|!
|:g2|f2 z2 z2 g2|f2 z2 z2 b2|(ab)(c’b) (ag)(fg)| a2 a>a (ab)ag|!
f2 z2 z2 g2|f2 z2 z2 b2|(ab)(c’b) (ba)(ag)|\
(gf)(fe) (ed)”S”(cB)||!
z2|(d3e/d/) (cB).c.A| G2 G>G (F/G/A/B/ c/d/e/f/)|\
(gfed) (edcB)| (B3c/B/) AB(c^c)|!
(d3e/d/) (cB).c.A| G2 G>G (F/G/A/B/ c/d/e/f/)|\
(gf).e.d d2 (ef)|(a4g2):|

X:45
T:Waltz,2. TLY.045
M:3/4
L:1/8
Q:3/4=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
D4 G2|B4 d2|^cdedcd| A6|!
(DE).F.G.A.B| cBcAdc|BdGBAF|G2z2:|!
|:d2|g2g2g2|g2g2g2|g2gfgf|g4 z2|f2a2e2|f2a2e2|f2 agfe|d2z2:|!
|:z2|b4 a2|g4 ab|c’2 c’2 b2|b2 =g2a2|a4 g2|f4 ga|b2b2a2| g2 z2:|!
|:z2|e6|f6|g2b2b2 | f6|g2b2b2 |f6|g2 gf g2| a2ab a2|!
b2 babd’|{d’} c’4a2| b2 babd’| {d’}c’4 a2|\
b2 g2g2|g2 bagf| g2g2g2| g2 z2:|

X:47
T:Waltz Mozart,4. TLY.047
T:Mozart Waltz,4. TLY.047
M:3/4
L:1/4
Q:3/4=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
N:Start of B music is marked f. Start of C music is marked p. Last beat
N:of 8th. bar of D music is marked p
H:1860.
Z:vmp.Taz Tarry.
K:C
G|GGG| GGG| (G3|c) z G|GGG | GGG| (G3|d) z G|!
eee| fdB|ccc |{Bd}cBA| Gce| gfd|d3 c z||!
|:g|(c’/b/c’/b/c’/b/)| (c’/b/c’/b/c’/d’/)| e’2 c’| g2 g|!
f2 d|c/B/A/G/A/B/| cce| c z:|!
|:(c/e/)|g/^f/g/a/b/c’/| c2 (d/c/)|B/c/d/e/f/g/| (fe) (c/e/)|!
g/^f/g/a/b/c’/|c2 (d/c/)|G/A/B/c/d/e/|c2:|!
|:E|e e3/4e/4e| e2 d| cBA| GBE| e e3/4e/4e| e2 d| cBA|e2 c/e/|!
|g/^f/g/a/b/c’/| c2 (d/c/)|B/c/d/e/f/g/|!
(fe) c/e/|g/^f/g/a/b/c’/|c2 (d/c/)|.G/.A/.B/.c/.d/.e/|c2:|!
|:~G|(ec) .G|(cG) .E| (Fd) .B| (ce) ~.G|(ec) .G|\
(cG) .E|FdB| c z:|!
d|dcB| BAG| c/B/ cd| e2 c| dcB|BAG| c/d/ed| c2:|

X:48
T:Michael Wiggins in Ireland. TLY.048
M:6/8
L:1/8
Q:3/8=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Jig
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
A|dfe dcB|ABA AFA| DFA dfa| baf e2A|!
dfe dcB|ABA AFA| DFA dfa|gfe d2||!
f|afd dfa| b2 a g2 f| gab afd| cee efg|!
afd dfa| b2 a g2 f| gba gfe| fdd d2||!
g| fdf ece| dBd {B}AFD| EFE EFA| agf e2g|!
fdf ece| dBd {B}AFD| DFA Bgf|edc d2|]

X:49
T:Waltz,3. TLY.049
M:3/4
L:1/8
Q:3/4=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
B2B2B2| (dc)(cA) A2|(FA)(Ac) B2|(Bd)(dg) g2|!
B2B2B2| (dc)(cA) A2|(FA)(Ac) BA| G6:|!
d4 (Ad)| fdAdfd| ge^cege| fdaf d2|!
d4 (Ad)| fdAdfd| ge^cege| d6||!
(dc)(dc)(dc)|dcBA G2| AGFE D2| GABc d2|!
(e^d)(ed)(ed)| (ed)(cB)(AB)| cBAG FA| G6|]

X:50
T:Lancers Sett of Quadrils No.1. TLY.050
M:6/8
L:1/8
Q:3/8=110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:Pause mark over double bar line at end of A music. DC at end of tune.
H:1860.
Z:vmp.Taz Tarry.
K:D min
cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc|!
a2a g2g| f2 c cdc| d2 g cde| f2 z||!
cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|!
a2a g2g|f2f fed| c2A B2G| F2z||!
ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA|!
f2f e2e| d2d _e2e| d2d ^c2c|d2 z||!
ABA| ^c2c d2d| ^d2e ABA| GAG FGF| “^cr”E3 ABA|!
f2f e2e| d2d _e2e| d2d ^c2c| “^DC”d2z|]

X:51
T:Lancers Sett of Quadrils No.2. TLY.051
M:6/8
L:1/8
Q:3/8=110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:A
A2AA2 B|c2A e3|A2A A2A| B2c dcB|!
A2A A2B| c2A e3| e2f =gfe|B2c dcB||!
e2e e2e| c2A e3|e2e e2e| B2c dcB|!
e2e e2e|c2 A e3| e2f =gfe| B2c dcB||!

X:52
T:Lancers Sett of Quadrils No.3. TLY.052
M:2/4
L:1/16
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:Bb
“as writ”F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|!
d3A Bcde|f2f>f f2b2| f2de fedc| B6||!
F2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB|!
ABcd cFGA| B2B2 AGAF| B2Bc ceAc| B6||!
B2|A2f2f2f2|fedc B2B2| A2F2 F2GA|(BA)(Bc) (dc)(dB)|!
A2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|]

X:53
T:Lancers Sett of Quadrils No.4. TLY.053
T:If The Life Of A Man,aka. TLY.054
M:6/8
L:1/8
Q:3/8=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrlle
O:England.
A:Lancashire.
N:DC at en
H:1860.
Z:vmp.Taz Tarry.
K:D
(F/G/)|A>BA A>BA|d2A A2 F/2G/2|A>BA A>BA e2 A AFA| A>BA A>BA|!
d2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|!
f>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D”^DC” D3|]

X:54
T:Lancers Sett of Quadrils No.5. TLY.054
M:6/8
L:1/8
Q:3/8=110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:Pause mark at end of A strain.The tune runs out at . The end of the
N:page and the next page is missing from the photocopy.
H:1860.
Z:vmp.Taz Tarry.
K:G
d^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd|!
g2g BAB| d2d fd^d| ecA G2F| G3||!
A2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G|]

X:57
T:Getting Up Stairs. TLY.057
T:Such A Getting Upstairs,aka. TLY.057
M:2/4
L:1/16
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Misc.
O:England.
A:Lancashire.
N:A noted Morris dance tune.
H:1860.
Z:vmp.Taz Tarry.
K:G
G2| B2c2d2G2| B2c2 d4| e2d2 c2B2|A2B2 c4|\
B2c2d2G2|!
B2c2 d4| e2d2 c2B2|A2B2 c4||
dc|B2G2 D2G2| FGAB c2dc|!
B2G2D2G2| FGAB c2dc|B2G2D2G2| FGAB G4 dc|!
BABG D2G2| FGAB cAdc| BABG D2G2| FGAB G4|]

X:58
T:Jim Crow Quadrilles (1). TLY.058
M:2/4
L:1/16
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:Sign at start of tune and add end of B music. D.S at ebd if C musi
H:1860.
Z:vmp.Taz Tarry.
K:G
B2d2c2e2|B2d2 A4|BBBB c3c|B2A2 G4|\
B2d2c2e2|B2d2 A4|BBBB c3c|d2f2 [g4c4]||!
B4c4|B2B2 A4|BBBB c3c| B2A2 G4|\
B4 c4| BBBB A4|BBBB c2c2|B2A2 G4||!
[E4c4] [D4B4]| e2e2 d4| dddd e2dc| B2A2 G4|\
[E4c4] [D4B4]| e2e2 d4| dddd e3e| d2F2G4|]

X:59
T:Jim Crow Quadrilles (2). TLY.059
M:2/4
L:1/8
Q:1/2=80
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
A|d3 f|a3 b|ageb| afdA| d3 f| a3a| dfac| d2z2||!
d| edcB| cA A2| Bcde| fd d2| edcB| cA A2| BF^GE| BAA a|!
(b/a/g/f/) e(e/g/)| ff/c/ dd/^g/| BA za| (b/a/g/f/) e(e/g/)|!
b/a/g/f/ ee/g/| (fg/a/) (gg/b/)| a3a|]

X:60
T:Jim Crow Quadrilles(3). TLY.060
T:Dingles Regatta,aka. TLY.061
M:6/8
L:1/8
Q:3/8=110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:Sign at start and end of B. DC at end of C musi
H:1860.
Z:vmp.Taz Tarry.
K:G
B/2c/| “_As written”d2d e2d| B2B d2c| A2A AGA| B3 G2 B/2c/2|!
d2d e2d| B2B d2c| A2A AGA| G3-G2||!
g| fef def| g3 d2B| c2d B2c| B3 A2g|!
fef def| g3e3|c2 ABc| dfe dBc||!
B| e2e g2g| fef B2B| c3A F2 B| G3 E2 B|!
e2e g2g| fef B2B| c2A F2 B|EFG ABc|]

X:61
T:Jim Crow Quadrilles (4). TLY.061
M:2/4
L:1/8
Q:1/2=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:Pause mark at end of A. DC at end of
H:1860.
Z:vmp.Taz Tarry.
K:C
cGEG| cee2| Adfd| c2 BG| cG EG| ccc z||!
e(3c/d/c/ Ge|d(3B/c/B/ GG| cBAG| ^F>GAA|\
B3B| dcBA| G2 B>A| G2 zE|!
.F.A.D.B|ce EG| FADB| c2 zg|\
.e.c.A.f| dBGe| cAdB| c3 z|]

X:62
T:Jim Crow Quadrilles (5). TLY.062
M:2/4
L:1/8
Q:1/2=90
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:DC art en
H:1860.
Z:vmp.Taz Tarry.
K:D
d|cAAA|ceec|dcBc|d3 E|F>GA>F|G>AB>G|A2c2|d3||!
d|cAAA|ceec|dcBc|d3 d|c>dB>c| A>Bc>A|EFEC|D3E|!
EDEF| (GF)(GE)|F2D2| G3 z|F>GA>F|G>AB>G|A2c2|d3||!
d|c>eA>B| c>de>c|d>fB>c|d3z|F>GA z|G>AB z|A2 c2| d3|]

X:63
T:Green Hills. TLY.063
T:Green Hills Of Tyrol. TLY.063
M:3/4
L:1/8
Q:3/4=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:Bb
FBc|d3 Bde|f3 deg| fdcA eg| fdBF Bc| d3 Bde|f3 deg|!
fecF Ac| B2 z||f2| b4 (ag)| gf f2 g2| fe e2f2| (ed) d2 z g|!
b4 ag| (gf) f2 g2| f=e e2 c2| f3 cac| a3 cec| fgegfg|!
efdfcf| B3||FBc|d3 A^fA| d3 edc| BABd cA| B3 FBc|!
d3 A^fA| d3 edc| BABdcA| B2 z2 f2|b4 ag| gf f2 z g|!
fe e2f2| ed d2 f2| b4 (ag)| gf f2 z g| fe e2 a2| b4|]

X:64
T:Bob And Joan. TLY.064
T:Bobbing Joan. TLY.064
M:3/2
L:1/8
Q:1/2=80
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Double H/Pipe
O:England.
A:Lancashire.
N:Time sig. is given in MS as 2/2 – is in fact 3/4 3rd. note 2nd. bar –
N:assumed a although ledger line missing. No title is given in the MS,
N:although a slightly different version appears earlier on as Bob And
N:Joan. TLY.005.
H:1860.
Z:vmp.Taz Tarry.
K:D
dfag f2| dfag fa|b>agf g2|e>feA ce:|!
|:fdBc d2|fdBd ce|fdBc d>f|e>feA ce:|

X:65
T:Waltz,4. TLY.065
M:3/8
L:1/16
Q:3/8=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:D
A2F2d2|d4 c2|B2G2e2|e4 d2| c2A2a2|a4 g2|!
fgag fe| d4 AB| A2F2d2|d4 c2|B2G2e2|e4 d2|!
d2c2B2|A2B2c2| dcdf ec|d4||f2| g2e2c2|A2G2E2|!
F2A2d2|f2d2a2| ^gabagf| edcB AG| F2A2d2| f2d2a2|!
F2A2d2|d4c2|B2G2e2|e4d2|cdedcB|AcBdce|dcdfec|d4:|

X:66
T:Waltz,5. TLY.066
T:Pretty Poll,aka. TLY.066
M:3/8
L:1/16
Q:3/8=50
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Waltz
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:Eb
A2|(GA)B2B2|(cd)e2e2|(F2G2A2)|(A2G2) e2|gfe(dcB)|e2g2b2|!
B2c2d2|e4::g2|(ba)f2f2|(fd)B2B2|(bg)e2e2|e2g2b2|!
(ba)f2f2|(fd)B2B2|(ed)(eg)(fd)|e4:||:c2|B3AG2|(e2d2)e2|!
(c2=B2)c2|A4F2|G3AB2|B3AG2|F3EF2|G4B2|!
B3AG2|(e2d2)e2|(c2=B2)c2|A4F2|G3AB2|B3AG2|F3EF2|E4:|

X:67
T:Polka, by Jubin. TLY.067
M:2/4
L:1/16
Q:1/4=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Polka
O:England.
A:Lancashire.
N:End of B is marked D
H:1860.
Z:vmp.Taz Tarry.
K:G
c2(3cdc A2e2|d2d2 b3g|f2f2 a3f|g>fga b2g2|c2(3cdc A2e2|d2d2 b3g|!
f2f2 e3f|[g2B2][g2B2][g2B2]:|\
f2((3fgf) a2d2|d2^c2 c4|g2 ((3gag) b2c2|e2d2 d4|!
b2(3bc’b e’2b2|b2 a4 f2|a2 g4 e2|fefg a2A2|\
f2((3fgf) a2e2|d2=c2 c4|!
g2 ((3gag) b2^c2|e2d2 d4|b2(3bc’b d’2b2|b2 a4 f2|\
a2 g4 e2|d2d2d2||!
G2|.c2.e2.g2 ((3cdc)|B2d2=f2 G2|B2d2f2 (3aba|\
g2 e4 G2|c2e2g2 ((3e^fe)|d2 =f4 ((3ded)|!
c2e4 ((3cdc)|B2 d4 G2|\
c2e2g2 ((3cdc)|B2d2f2 G2|B2d2f2 ((3aba)| g2c2e2 G2|!
c2e2g2 ((3cdc)|B2d2f2 (3aba|g2B2d2 ((3ded)| d2f2d2|]

X:68
T:No. 2 Polka. TLY.068
M:2/4
L:1/16
Q:1/4=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Polka
O:England.
A:Lancashire.
N:DC at end of B part and at end of C part – DC at end of B part looks in
N:different handwriting to Tillasly’
H:1860.
Z:vmp.Taz Tarry.
K:C
EFG2 e2c2|A2A2 f4|Bcd2 b2a2| a2g2 e2c2|!
EFG2 e2c2|A2A2 a4|Bcd2 a2B2| c2c2c2:|!
f2 z2 a2ba|g2e2 e4| g2(3gag f2d2| c2e2e2 z2|!
f2 z2 c’2ba|g2e2 e4| g2(3gag f2d2|c2cd e2c2|!
f2 z2 d’2c’a|g2e2 e4| g2(3gag f2d2| c2e2e4|!
f2 z2 a2ba|g2e2 e4| g2(3gagf2d2| c2e2c2||!
K:F
c| .f2.f2.a2 z f|.e2.e2.g2 zg| .b2.b2.d’2 z d’| c’2a2a2 z c|!
f2f2a2 z f|d2d2b2 zb| d’2d’2c’2 zc|g2f2f2 z2|!
b2b2 d’2c’b| a2a2 c’2ba| g2g2 b2ag| a2bb c’4|!
b2b2 d’2c’b|a2a2 c’2ba|g2g2 b2ag| .f2.a2.f2|]

X:69
T:Quadrils (1). TLY.069
M:6/8
L:1/8
Q:3/8=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:DC at end of B part, also at end of C part. DC at end of B part looks
N:to be a different hand to Tillasley’
H:1860.
Z:vmp.Taz Tarry.
K:C
G|c3 e3| c3-c2 (G/F/)|E2 E EDE| G2F E2G|!
d3 f3| d3 dcB| BAG GAB| (d3c2)||!
G| f2 d dcd| e2c cBc| d2 B GAB| c2 e c2 G|!
f2 d dcd| e2c cBc| d2B GAB| c3-c2||!
e/2c/2| A2 A Ae[cA] |B2B Bdf| e2e dcd| e2e ecA|!
A2A Aec| B2B Bdf| e2 e ^g2g| a3a2|]

X:71
T:Quadrils (3). TLY.071
M:6/8
L:1/8
Q:3/8=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:DC at end of B and C parts – not in Tildesley’s hand
H:1860.
Z:vmp.Taz Tarry.
K:F
c| caa egf| c3- c2 d|c2 A c2 A| c2B G2c|!
caa egf| d3 dcB| Acc BGE| (G3F2)|]
A|BGE c2 B| Acf a2 f| bge c2B|Adc c2 A|!
BGE c2 B| Acf a2 f| egb d’be| (g3f2)||!
A|d3f3| e3 ge^c| dfa bge| d3 c2 A|!
d3 f3 |B3 e2g| f2 d e2 ^c| d3 d2|]

X:73
T:Quadrils (5). TLY.073
M:2/4
L:1/16
Q:1/4=100
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Quadrille
O:England.
A:Lancashire.
N:DC marked at end of B abd C music (not in Tildesley’s hand?
H:1860.
Z:vmp.Taz Tarry.
K:G
d2dd d2dd| d2dd d2g2| G2B2 e2d2| d2d2 A4| !
c2cc e2ee| c2cc A2AA| F2e2d2F2| A4 G2z2:|!
B4 c2^c2| d2g2B2d2| A2e2 d2F2| G2A2B2c2|!
B4 c2^c2| d2e2f2g2| F2e2d2F2| A4 G2 z2||!
B2BB B2BB| B2BB B2e2| ^d2e2a2g2| g2b2 B4|!
B2BB B2BB| B2BB B2g2| f2e2 ^def=d|f4e2 z2|]

X:75
T:Fall of Paris. TLY.075
T:Downfall Of Paris,aka. TLY.075
M:2/4
L:1/16
Q:1/4=80
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Air
O:England.
A:Lancashire.
N:A part has only 15 bars in MS. Pause mark at end of
H:1860.
Z:vmp.Taz Tarry.
K:D
d2d>e d2d>e|d2d>e gfed|e2e>f e2e>f| e2e>f agfe| f2f>g f2f>g |\
f2f>g| bagf| e2e>d e2e>d| efge cABc|d2d>e d2d>e|\
“^Possibly a bar missing”d2d>e gfed|\
e2e>f e2e>f| e2e>f agfe| f2f>d a3g| fede f2e2| d2d2 d4:| \
|:a8| a2f2b2a2| g2g>f g2g>f| g2g>f g4| g8 g2e2a2g2| f2f>e f2f>e|\
f2fe f4:||:(ABcd) (cBAG)| (FGAB) (AGFD)| d2d2e2e2| f2f2 e4|\
(ABcd) (cBAG)| (FGAB) (AGFE)|d2e2f2e2| d2d2 d4:||:\
.c2.d2.e2.f2| .g2.f2.e2.d2|\
.c2.d2.e2.f2| .g2.f2 e4| (ABcd) (cBAG)|\
(FGAB) AGFE|d2e2f2e2| d2d2 d4:|

X:76
T:Duke of Yorks New March. TLY.076
T:Toreador?..TLY.076
M:4/4
L:1/8
Q:1/2=80
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:Forte marked in 2nd beat, 8th. bar, piano marked in second 10th. barbea
H:1860.
Z:vmp.Taz Tarry.
K:D
a>a|f2 a>a f2 a>a| {g}gf/g/ e2 z2 g>g| e2 g>g e2 g>g|\
{g} fe/f/ d2 z2 D>F|!
A2 F>A d2 A>d| f2 d4 a>d’| a2 f>a g2 e>a| f2 F/G/A/F/ A2 D>F|!
A2 F>A d2 A>d| f2 d4 a>d’| a2 f>a g2 e>a|d2 d>d d2e2|!
f2 z2 (f/g/) a>a {b}gg/f/| e2 e>e e2 f2| g2 z e/f/ gg {a}gf/e/|\
f2 a>a a2 ag/f/|!
b2 d’>d’ d’2 {e’}d’c’/b/| a2 a>a a2 {b}ag/f/| ee/e/ ff/f/ gg/g/ ee/e/|\
f2 z2z2 f>f|!
ee/e/ ff/f/ gg/g/ ee/e/| f2 z2z2 f>f|\
ee/e/ ff/f/ gg/g/ ee/e/| d2 d’2 d’2|]